Carl Theodor Dreyer

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

Documentary exploring the thirty-seven years of preparatory work that director Carl Th. Dreyer did for "Jesus of Nazareth" – a film that was never produced.

Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."

Documentary on the rise and fall of the Danish silent film industry.

I made this little film portrait of Dreyer on the 17th of September 1965, in New York. He said he was very interested in what I was trying to do in the possibilities of film portraiture. - Jonas Mekas From the cycle of FIRST FORTY I made in late 2006 as an introduction to my work for my new, Internet audience. All of them are based on my earlier films but slightly, sometimes more than slightly, changed. I consider them works complete in themselves, seperate from the main body of my film work.

A documentary portrait of Carl Th. Dreyer, filmed shortly after the Paris premiere of "Gertrud." Through Dreyer’s own reflections on his films, the documentary explores his ideas about script, casting, acting, set design, and the pursuit of simplicity as the foundation of cinematic style.

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Torben Skjødt Jensen’s elegant documentary is a collage of memories and reflections on one of cinema’s greatest directors. Visually rich and densely layered, Carl Th. Dreyer—My Metier illuminates an artist too little understood and too important to overlook. Through interviews, historical writings, and rare archival footage, a portrait of Dreyer emerges: an austere perfectionist, yes, but also a passionate man possessing a genuine sense of humor.

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French actress Maria Falconetti (1892-1946) traveled a winding road from her glory days in luminous Paris, in the 1920s, to her last days in Buenos Aires, in the late 1940s. In her strange journey through life, she found a very special character, the center of a tragic story and the obsession of a peculiar filmmaker: a unique opportunity, a sublime performance, so remarkable that nothing would ever be the same for her again…