Glenda Jackson

Glenda Jackson

Acting

May 9, 1936 — June 15, 2023
Wirral, England, UK
58 movies

Biography

Glenda May Jackson CBE (9 May 1936, Birkenhead, Cheshire – 15 June 2023) was an English actress and politician. She was one of the few artists to achieve the Triple Crown of Acting, having won two Academy Awards, three Emmy Awards and a Tony Award. She was made a CBE by Queen Elizabeth II in 1978. She won the Academy Award for Best Actress twice: for her roles in Women in Love (1970) and A Touch of Class (1973). She won the BAFTA Award for Best Actress in a Leading Role for Sunday Bloody Sunday...

🎬 Glenda Jackson's Filmography

58 movies sorted by popularity

A Murder of Quality
5.7

At the request of his old war time colleague Ailsa Brimley, George Smiley agrees to look into the murder of Stella Rode. Brimley had only just received a letter from her saying she feared for her life at her husband's hand. The husband, Stanley Rode teaches at Carne School, but Smiley is doubtful that he had anything to do with his wife's death. As Smiley investigates, he learns that Stella was a nosy busybody who loved to learn other's little secrets and then gossip about them - or possibly blackmail them. When a student is killed and Smiley unearths a secret, he has the evidence to name the killer.Based on John Le Carré's 1962 thriller (his first) in which George Smiley is brought out of spy retirement to solve a murder in a British public school. The setting is based on Le Carre"s own schooldays in Sherborne and his brief experience teaching at Eton.

A Murder of Quality

1991
Tell Me Lies
6.4

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

Tell Me Lies

1968
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