Fernando Álvarez Rebeil

Two parallel stories about people trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road... for over 35 years.

A divorced woman reconstructs her life and opens herself to love. Her search for dating apps takes her through fun and unpredictable moments to discover self-love.

A tale about the fragile lives of four characters during a month of their lives. One of them, Ana, is waiting for a kidney donor.

An indigenous language is in peril, as its last two speakers had a quarrel in the past and haven't spoken to each other in over 50 years. Martín, a young linguist, will undertake the challenge of bringing the old friends back together and convincing them to speak once again so he can obtain a recorded registration of the language and study it.

Seventeen-year-old Carlos doesn't fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground LGBTQ nightlife scene: punk, sexual liberty and drugs.

Lucía and Nico, the couple of the century, are about to say yes... although not with each other. It turns out that they both decided to get married on the same day and in the same place, but with other people.

This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

As a family discusses the future of their idyllic olive farm over a meal, the complexity of their relationships emerges through laughs and confessions.

A family lives in a cabin in the middle of a submerged forest in the mist and shrouded in perpetual twilight after an undefined global catastrophe. The father keeps his children locked in the basement into believing that a wild beast roams outside.

Luisa and Gabino visit their parents in a mining town in the north of Mexico. Their father’s only interest in them is sparked by Luisa’s actor boyfriend when he acts out the role of a narco kingpin. To cope with family tensions, Gabino imagines a parallel reality of detectives and organized crime.

A man discovers he has been crying for two months without even realising it. His face has an impenetrable and serious expression. Strangely, his tears have decided to work in a reverse way, transforming the inside of his body into a waterfall. The water has started pooling at his feet.

Fernando, and his friend Ana should know better than to try to make his exgirlfriend jealous.

Heriberto gives a lift to a school reunion to two friends (Flor and Trujillo). In the way, we find out that they were his worst bullies.

In a humble coastal tropical compound, amidst a total eclipse of the sun, an unexpected guest arouses the broken dreams of a family that has lost its guardian figure, overshadowed by the cosmic loneliness where they were left to their faith.

Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.

Ernesto has found a peculiar way to meet people and earn a living: provoking car accidents.

Julia is a single mother who takes care of Camila, her 10 year old daughter who suffers from a borderline disorder. After experiencing a crisis where Camila gets hurt, Julia makes a decision which will change her relationship with her daughter and with herself.

Bruno, 19 years old, has not begun his sexual life. He feels guilty about his brother's death and one of his exgirlfriends, who happens to be his first love, is back in town to help him out.

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

The day has finally come André and Jose, two best friends will try to get the budget to achieve their film. The way they will choose to made it is not clearly the best one. Taking the easy way without previous knowledge it will make them doubt on more than one occasion.

In the winter of Berlin, two former lovers meet for the first time since the breakup.

Ana and Leo, are marked since childhood by a sudden event: the suicide of their father. Separately, they take life as they can, without removing the feeling that anything can become as disposable as plastic.

Sonia and Mateo embark on a road trip with the excuse of mending the cracks in their relationship. Traveling along the highway and riding an emotional rollercoaster, they’ll soon find out whether there’s more friction and aggression in the world around them or deep inside them as a couple. There’s always a final straw.

Portrait of Mexico City. Center of chaos. Anonymous crosses each other, self-absorbed in their daily life and existence. She is in movement, he is in paralysis. Both living in the past, evading the present. They inhabit the realm of cycles trying to free themselves from attachment and suffering. Movement and paralysis intertwine in a city trapped in the cycles of earthly and recurrent existence.

Fernando and Gabriel are two brothers living in a broken home. The anger and sadness that fill the house forces them to escape for a weekend into the woods. Gabriel will witness his eldest brother's self-destruction.

Omar and Esperanza return to Monterrey after a doctoral stay in Quebec, while making economic and emotional efforts to stay in Mexico, a job offer comes up in San Antonio, Texas. Standing before unsecure and terror conditions that rein upon the highways in the north of Mexico, Omar will have to drive through the frontier paths and face his rough past, his violent present and the helpless future of his family and country.

Simón, Jorgito and Paula, do nothing but wait for a hard breakup to end to get on with their lives. Paula’s ex-husband wants to come back home, but something opens their eyes to a brand new day.

A couple visits a ranch in the middle of the desert searching for something that makes them reconnect with each other. Their presence in that place will contact them with the pulse of the land so that they can encounter their most primary instincts.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.