Linda van Dyck

At the deathbed of his used-to-be militant mother an older man looks back at his childhood, when he was in love with his sensual aunt Coleta.

Lovable Amsterdam street urchin, 11 year old Ciske is nevertheless much in need of love as the Dutch 1984 title suggests. He is a scamp with a heart of gold. He causes havoc in the classroom pouring ink over his teacher yet when a polio-crippled boy joins the class Ciske is one of the only children to befriend him and is bullied as a result. His mother works in a bar and Ciske helps out often late into the night - his father is at sea and his mother supplements her income with prostitution. Ciske is also a very angry young man and he smoulders with rage at life's injustices.

During World War II, two members of the Dutch resistance share the same goal but use very different methods to reach it.

A sea faring father, a man living on the edge of mental sanity, periodically sees his young son. During the visits, the father tells the boy stories, exotic as well as close to home, about Magonia. This is a mythical place where clouds represent impossible dreams and unfulfilled desires. But the characters in this imaginary place all curiously resemble people now living near the father.

Father Daens returns to Aalst, where workers suffer from poverty, child labor, and exploitation in the textile industry. Driven by his sense of justice, he takes their side, even if it means confronting the church and the upper class. A detailed historical drama about the fight for justice.

Director Leon de Winter has taken a thriller with political and psychological overtones, and scrambled it into a series of vignettes that are mixed-up in time and in location, thereby dashing any hope of following the story. A journalist goes to a southern European country to interview a well-known terrorist who has refused to stop his activities even though the revolution he fought for ended successfully five years earlier. Questions are raised about adopting violence as a way of life without at first realizing it and about the seeming impossibility of raising the consciousness of backwater cultures. Perhaps because of the way the story has been filleted into fragments, characters like the journalist and terrorist do not have enough continuous screen time to build up their individuality, a second factor that makes it difficult to become involved in the drama.

Schnitzel Paradise is a Dutch film about a young Moroccan man working in the kitchen of popular Dutch restaurant.

A weekend in the life of a bizarre family in the sixties. Their lives will never be the same after it.

This adventurous feature film is a sequel to Paul Verhoeven's legendary youth series from 1969. In this modern film version - the Middle Ages are more imaginative and larded with anachronistic jokes - the story revolves around Floris (grandson of Rutger Hauer's character from the series), a peace-loving bloke whose father despises him because he refuses to carry on the family tradition of stout-hearted knights defending freedom: Floris is an actor. To prove to his father that he can still be a hero, he helps him search for a missing sacred relic with special powers. This is the last hope for the Duke of Burgundy, his father's boss, to eliminate the mean Duchess of Gelre. Along with his oriental girlfriend Pi, Floris goes through some perilous moments when he enters into battle with the duchess and her stooges Van Rossum jr., Kleine Pier jr. and Sergeant jr..

A woman accused in court explains how she got started on this track.

A successful young writer is in search of his true destiny. Is it the life with his wife and typewriter in Amsterdam or the offers to go to the dreamworld of the Italian film city Cinecittà which is luring him? Trying to find this out he goes into retreat in the house of a befriended gay couple in the south of France.

Painter Peter Hartman is arrested at the scene of a murder. He soon turns out to have ties to the victim's young widow. As Inspector Stroomer begins to unravel the mystery, two very different sides of the story are presented to him. Now it is up to Stroomer to find enough photographic evidence to make out which version is the truth.