Willem Nijholt

Young journalist has an interview with a succesfull gay playwright who likes to write frankly about sex. At first the interviewee responds cynical and distant, but after a while the tone of the conversation changes. This is because the playwright notices the journalist more than admires him.

For all his life Frank Goudvis has tried not to follow in the footsteps of his father. When his father is mysteriously murdered, Frank loses his alibi for his cherished passivity and decides to travel to the crime scene.

It seems that misdeeds by inhabitants of the Dutch provinces make for believable stories, whether they are mysteries by Willem van de Wettering, or psychological thrillers by Simon Vestdijk, who wrote the book this film is based on. In the story, set in the 1950s, Hendrik Grond (Gijs Scholten van Aschat) has a good law practice, and a happy marriage which has produced a son. He is so contented that his world is completely shattered when, undetected, he catches his wife in bed with his law firm's senior partner. In fact, he has become quietly unhinged, and he arranges a series of "accidents" to ensure his revenge - becoming involved in the local underworld in the process. Will he succeed in committing a series of "perfect" crimes, or will the police inspector (Johan Simons) investigating these incidents get wise?

Registration of the first Kinderen voor Kinderen-concertshow. In this annual event, the Dutch children's choir 'Kinderen Voor Kinderen' performs 12 songs based on ideas sent in by children. The songs make up an album from which the proceeds go to a good cause, namely collecting toys for children in Third World Countries.

Adaptation for television of the stage play of the same name by the Dutch playwright Herman Heijermans. When lodger Eva Bonheur lends her landlady Mop two thousand pounds and Mop is unable to repay her, Bonheur gets control of the house and decides to put Mop, her husband Jasper and their daughter Miep out on the street.

Reading relay of the novel 'Oeroeg' by Hella Haasse by eighty well-known and lesser-known Dutch people. Each person reads a page aloud, after which the book is passed on to the next reader. Philip Freriks, news anchor and ambassador for Nederland Leest, opens the reading relay. Director Shireen Strooker concludes it. 'Oeroeg' is Hella Haasse's debut novel from 1948. Haasse tells the story of the friendship between an Indonesian boy and the son of a Dutch administrator at a tea plantation in the Dutch East Indies before the Second World War. Gradually, the two boys grow apart. When the narrator, the Dutch boy, returns to the Indies—which has not yet quite become Indonesia—after studying in Delft, their estrangement turns out to have grown into a chasm. The final sentence reads: "Am I forever a stranger in the land of my birth, on the soil from which I do not wish to be uprooted? Time will tell."

When his wife Lydia commits suicide, succesful attorney Robert Havinck is freed from his unhappy marriage. Unfortunately, it turns out she took a complete stranger along with her, and a feeling of guilt and curiosity about her motives lead Havinck to team up with his fifteen-year old daughter to explore Lydia's final days.

Lovable Amsterdam street urchin, 11 year old Ciske is nevertheless much in need of love as the Dutch 1984 title suggests. He is a scamp with a heart of gold. He causes havoc in the classroom pouring ink over his teacher yet when a polio-crippled boy joins the class Ciske is one of the only children to befriend him and is bullied as a result. His mother works in a bar and Ciske helps out often late into the night - his father is at sea and his mother supplements her income with prostitution. Ciske is also a very angry young man and he smoulders with rage at life's injustices.

This documentary explores the life and life of Harry Bannink, an important Dutch composer for theatre and television.

Registration of the second Kinderen voor Kinderen-concertshow. In this annual event, the Dutch children's choir 'Kinderen Voor Kinderen' performs 12 songs based on ideas sent in by children. The songs make up an album from which the proceeds go to a good cause, namely collecting toys for children in Third World Countries.

Peter Bell and his Black Hand gang tangle with evil newspaper tycoon Stark once again, as the latter schemes to steal a priceless royal crown with his two cronies.

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This film was shot entirely in Rotterdam and shows the German couple David (Helmut Berger) and Tanya (Sheri Hagen) who are kept by Ludwig (Udo Kier), David's half-brother. Ludwig has some dubious business to do and so he is staying in the port for a while. David and Tanya have followed him and are staying in a hotel. They pass the time committing robberies. When David finds a photo of an attractive young man among the booty of a robbery, his life is turned upside down. He will have to close the door on a suffocating past.

The sensitive Onnoval is the best student in his class and he loves Liselore, who was the girlfriend of the bully Gino. His teacher Meester de Vriend believes he is a promising writer and poet. Gino picks on Onnoval all the time, but Onnoval does not fight against Gino because he believes he is a werewolf. When the successful writer of horror tales Nol van Paulo comes for a lecture in his class, he advises Onnonval to never write a story for the evil Ferluci. However, Onnoval is humiliated by Gino and very upset and jealous he writes a story about a class excursion in a horror bus to a horror park, where Gino is killed by a vampire, and gives his story to Ferluci. Later he regrets, but Nol van Paulo tells him that the only way to fix the situation would be stealing his note book and rewriting the conclusion.

Peter is a cheerful -- but not very obedient -- boy from a very ordinary family in pre-war Rotterdam. His many pranks amuse some and cause a lot of trouble to others, even making the front pages of the big city newspapers. His growing popularity brings him many new friends, but also some very powerful enemies.

At the invitation of the Concertgebouw in Amsterdam, the Dutch conductor Jules Coulée returns to the Netherlands to conduct a one-off performance of Third Symphony by Gustav Mahler. Coulée is unpleasantly surprised when he sees that the Concertgebouw is under construction and that the renovations continue during rehearsals. In addition, the acoustics of the hall are terribly bad and the balcony too close, so that the post horn solo in the third movement cannot possibly come from afar, as the score prescribes. For Coulée, the entire implementation stands or falls with this detail.

Filmmaker Louis van Gasteren reconstructs the life of Amsterdam poet, composer and actor Hans van Sweeden, who took his own life at the age of twenty-four in 1963. Through interviews with friends, relatives and contemporaries, alongside archival material, the film becomes both an intimate portrait of Van Sweeden and a broader account of a young generation searching for freedom, identity and new ways of living in Amsterdam during the 1950s and 1960s.

Recording of the theatre program by the Dutch cabaret artists Wim Sonneveld, Willem Nijholt and Corrie van Gorp.

Television adaptation of the Dutch musical from 1975 about riotous youth.

A slaughterhouse worker appears to be romantically involved with his boss's wife. They plan to leave the country together, but at the airport she waits for him in vain. Slowly but surely the three of them get entangled in a fateful web of betrayal, jealousy and revenge.

Old entertainer gets a last chance to play a serious role.

Two friends meet again in the autumn of their lives. They have not seen each other for years, but soon find their renewed friendship put to the test when one of them falls ill and the other loses his newfound love.

After a year's trip around the world, twenty-year-old Daniël comes home where a surprise awaits him. In his absence, his boring bourgeois parents have become completely captivated by the sexual revolution. In their new trendy clothes and their 'groovy' white interior, they make sexual freedom a mockery. This upsets Daniël so much that he flees again. This time to the 'peaceful, unspoilt countryside'. Disillusionment awaits him there too. Frustrations and sexual obsessions appear to be just as intense there as in the big city.