Sigmund Hovind

Armed only with a bow and an ensemble of animal skins, Martin sets off into the forest in a misguided attempt to overcome his midlife crisis. A chance meeting with a fugitive named Musa leads to a twisted trip through the fjords with police, drug runners, and Martin's family not far behind. As an unlikely friendship develops and wildly original set-pieces unfold, Martin's quest for manhood leads to deep and hilariously uncomfortable realizations about the presumed masculine ideal.

When Emma meets Cassandra, they initiate a relationship filled with physical and psychological challenges. Emma does whatever it takes to master the rules of the game. Lines are crossed and the stakes get higher and higher. Despite this, Emma can't resist the intoxicating feeling of total control.

Erica's parents are killed in a traffic accident. She moves to Fjällbacka and discovers she has a brother.

A film about a group of people and their complicated relationships to one another. Vera is trying to figure out how to relate to her son's irresponsible father, while her sister is about to release a book about their shared childhood. Not far from Vera, a professional clown is hesitantly trying to get on with his life and form a new relationship, but his ex is refusing to let go of him. In close shots, full of emotions, the characters expose the best as well as the worst in them, and the film provides no simple answers to its questions.

The two psychology students Sara and Simon believe they have identifed the reason behind the loneliness of modern western society. They conclude that the need for self-realization through consumption leaves people with a sense of meaninglessness. An experiment is initiated and they gather a group of young people in an isolated house in the countryside. During the stay in the house, Simon gradually becomes a sovereign leader. What started out as a field study gradually turns into something more similar to a cult.