Emanuela Postacchini

A retired hitman's life is turned upside down when his ex-wife and son arrive unannounced during the holidays because they are on the run from his former mob associates.

A womanizer and a gold digger trick people into relationships with illegal robot doubles. When they unwittingly use this scam on each other, their robot doubles fall in love and elope, forcing the duo to team up to hunt them down before the authorities discover their secret.

An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

Italy, 1968. Aspiring actor Nicola enrolls in the police to pay for his studies, ending up undercover among college students protesting the government, the Vietnam War and the values of their parents' generation. However, he complicates his mission by falling for Laura, a bourgeois girl dreaming of a better world.

Year 1100. Italy.The Northern lands are ruled by a German emperor: Fredrick aka "Barbarossa. His dream is to conquer also the lands in the Center and in the South so as to revive the Empire that was once of the one Charles Magno.But in the North a young man from Milan has formed an army of 900 young men coming from different cities: the "company of death". This young man's name is Alberto Da Giussano. His dream is to defeat the Emperor and to give back freedom to the Northern lands.

In may 1940, the German troops enter France. Frightened by the progress of the enemy, the people of a small village of Pas-de-Calais decide on the recommendations of the prefecture, to give up everything to go on the road, fleeing to the coast.

Jane drops her daughter off at sleepaway camp and drives away from her mundane life into an exciting odyssey on the road. Jane’s obstacles, connections and moments were created playing an exquisite corpse; seven filmmakers guiding each chapter of Jane’s journey without knowledge of what the others were doing.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

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At his best friend's New Year's Eve party, Gary desperately tries to spark the interest of Ann, his ex-girlfriend, without letting his friends embarrass him, but ends up receiving devastating news instead.