Alexandra Schmitt

Sounded version of the 1928 film 'Der Kampf ums Matterhorn'. The added sound track included music composed by Schmidt-Boelckeb and dubbed dialogs by different actors. This version is slightly shorter than the silent film due to the disappearance of the movie titles. The story, based on the novel by Carl Haensel recreates the struggle between Edward Whymper and Jean-Antoine Carrel for the first successful ascent of the Matterhorn in 1865. In 1938 two new versions of the movie were filmed under the direction of Luis Trenker, who acted again in the role of Carrel. One version was shot in German (Der Berg ruft) and the other in English (The Challenge).

English-language, dubbed sound and partly re-edited version of Der Kampf ums Matterhorn. During an early, unsuccessful attempt at climbing the Matterhorn, Edward Whymper finds himself rescued by an italian guide, Jean Antoine Carrel. The two men quickly build a friendship and agree to reach the peak together. However, local villagers plot to divide the alliance of Whymper and Carrel and both men join rival teams as they set out in a race to conquer the mountain. A mountaineering drama based on the novel by Carl Haensel and inspired in the dramatic true story of Edward Whymper, who led the first successful ascent of the Matterhorn in 1865.

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

The Queen of Spades or Pique Dame is a 1927 German silent drama film directed by Aleksandr Razumnyj and starring Jenny Jugo, Rudolf Forster and Henri De Vries. It is one of many film adaptations of the Russian writer Alexander Pushkin's 1834 short story The Queen of Spades.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

Mutter Krause, her daughter Erna and her son Paul live in a tenement in the poorer section of Berlin's Wedding district. Along with them lives "the Tenant", his soon-to-be bride Friede, who works as a prostitute, and her child whose name isn't revealed in the film. Mutter Krause is a quiet, long-suffering old woman who earns what little she can delivering newspapers. However, Paul is an alcoholic and spends all her money on drink. Mutter Krause can't pay back the money she owes the man whose newspapers she delivered and he accuses her of stealing and threatens her with arrest. Mutter Krause must then pawn her last valuable possession, a treasured memento of her late husband. Paul then breaks into the same pawn shop. He gets away but is later arrested. Meanwhile, Erna begins dating a young man with Communist views, who turns Erna to Communism and also helps her earn the money her mother needs by more honest means.

Consul Petersen and his wife are desperate, because they lost their only child and can’t have another. At the same time, the maid Anna is expecting a child, whose father, Jurgen, works in a sawmill. When both of them lose their jobs, they fear they won’t be able to feed the newborn. Thus, they strike a deal with the Petersens, which works for both couples: Anna and Jurgen will receive a farm from the Petersens, free and clear; and the two will allow the Petersens to adopt the child. Anna and Jurgen marry and are quite happy; but when the child is finally born, Anna doesn’t wish to surrender him and flees with the child into the Wattenmeer.