Emilia Popescu

One day, teenager Magda offers her expensive necklace to a sick child in the hospital she volunteers for- her father is certain she is lying again. When she proves her innocence, he is ashamed and guilty but also incapable of admitting he was wrong. Relationships are now broken and in chaos, and past decisions have an irreversible outcome.

When her fiancé’s mistress crashes her wedding, Bianca flees the scene, launching a real-time odyssey of chaos and eventual liberation through an off-season seaside resort.

Eva, a psychologist specializing in couples therapy, is about to get married and her best friends are organizing her bachelorette party at a discreet tantra-yoga retreat in Vama Veche.

In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband's commanding officer. As a result, the cosmopolitan family is reassigned to a brutally bleak and dangerous outpost on the Bulgarian/Romanian frontier where both their relationship and humanity are severely tested.

Sanda spends all her time working in a plastic factory, raising her two small children and catering to an indifferent husband, leaving little room for herself. A chance encounter with another man may offer her an escape from her daily chores.

After their marriage, a young couple are astonished to find their privacy invaded by strangers through an absurd order from the Housing Authority. The state institution orders the newlyweds to cede a room in their apartment to an unknown person. And the only solution to use their home as they please is... divorce. But in court battles, divorce takes on dimensions no one expected...

Story of a family. Problems, marriage, taxes, revenge, friendship, army, life and much more.

A young girl is cast for a musical comedy, but she refuses after her father doesn't let her play in it. After that, more offers emerge, along with a hit song dedicated to her from a infatuated admirer.

A satire of artificiality in advertising, especially surprising due to the moment when it was made, in the mid 1980s. The ironic clichés anticipate the sexualized imagination of the 1990s: young women biting lasciviously from a piece of chocolate that melts on their face, lovers sipping allusively on a champagne, the cork of which pops under pressure. Advertising is, at the same time, a tribute to the efforts of the shooting crew, forced to work in difficult conditions - that are hyperbolized in the film - and to find all sorts of ingenious solutions so that the implausible situations they present look as polished and as desirable as possible.