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To mark his ninetieth birthday, EYE has restored Zwartjesâ very first film, originally shot on Super-8 and long thought lost. Zwartjes started his career as a violinist and visual artist. He took photographs, made music and built instruments â but only really broke through with his equally craftsmanlike films.
In a monumental building a group of scientists submit women to obscure experiments in which sexuality and cruelty constantly merge into one another. "Pentimento" is an art-historical term for a hidden image underneath the actual image giving an indication of how the latter evolved to its current state.
The central element in this film is formed by the preparation for and execution of a performance. The performance, a parachute jump, is carried out by an artist (Perrenet) and his girlfriend during the opening of an exhibition. As spectators to the performance, which takes place in the artistâs studio, an art dealer and several friends have been invited. The art dealer enters first, followed by Armand, who looks at some paintings made by Zwartjes; they spout the usual âgallery nonsenseâ. The art dealer appears most interested in the girlfriend. âMy latest creationâ is how Amand introduces her. The guests who arrive thereafter are introduced in short, independent sections.
Set on the landing and the stairs of Zwartjesâ new house, then still empty, in The Hague. The filmmaker suggests a mysterious and complex space by using a âfloatingâ camera to film a number of crawling, creeping personages. (MUBI)
To Tea, made in Holland (at the house of the Dutch avant-garde filmmaker Franz Zwartjes), is a slowed âAlice in Roomlandâ.A guide to sensual contact between two women. Their contact is arrived at through an arrangement of slow tactics. As the light of day goes the bodies come closer, and the piano melody floats in a distant hall. Once my Hungarian art teacher said: âIf you exaggerate the objective lines you reach a stronger subjective expression.â So here the strange tea party gives over to touch. â S.D.
"The Great Magician" - A portrait of Frans Zwartjes (1927-2017), sometimes called 'the most important experimental filmmaker of his time' by the American essayist Susan Sontag.
Film in three parts. A man and a woman, Trix Zwartjes and Lodewijk de Boer (Zwartjesâs regular actors) circle around each other in a house and outside at the water side. They attract and reject each other.
A selection of never-before-seen cinema sketches by Zwartjes, compiled by Stanley Schtinter with music from Zwartjes' record Tapes I.
Frans Zwartjes and his wife explore their new home, and the sexual tension they've brought with them to it.
Frans Zwartjes' two visions of womanhood in Behind Your Walls have all the febrile frustration associated with his previous work. Flesh looks like crisp paper about to be despoiled, a torpid heat reduces movement to fidgets and hesitations. - MIFF