Enrique Díaz

Set in Brazil, three kids who make a discovery in a garbage dump soon find themselves running from the cops and trying to right a terrible wrong.

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small town in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

An accident involving a flying manhole cover leads to a chance meeting between two childhood friends: a widow and the owner of a beauty parlor. Thus begins an entertaining game of seduction that brings memories and hidden desires to the surface - furtive passions that end up threatening the hairdresser's de facto marriage.

A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.

Paulo Coelho is the world’s most translated living author, his books having sold over 165 million copies. But he was not always the inspirational global phenomenon he is today. Like the heroes in his spiritual classics THE ALCHEMIST and THE PILGRIMAGE, he long-searched for his calling, flirting with death, escaping madness, falling in love, and making rock ’n’ roll history in Brazil, all-the-while striving for success as a writer. A wild ride through a lifetime of stranger-than-fiction adventures, PAULO COELHO’S BEST STORY is a profoundly moving film that goes straight to the heart of the most beloved literary guru of our time, revealing the most incredible wonder of all: the man behind the masterpieces.

Two students make a date in a secluded cave behind their school, where they could be undisturbed. But on arrival they see a corpse. They run to inform the authorities, but when they arrive the corpse has mysteriously disappeared.

After 20 years missing, João Grilo returns to Taperoá to join his old friend Chicó and, after his story of resurrection spreads, he is disputed as an electoral candidate by the two most powerful politicians in the city.

Continuing the exploration of the thin line between truth and performance, Eduardo Coutinho turns his attention to the drama generated during rehearsals for the Galpão Theater Company’s performance of Chekov’s The Three Sisters. As he shoots scenes from the play, Coutinho attempts to capture the very moment in which reality becomes fiction and vice versa—whether through the actors’ bodies and words or in backstage scenes of a performance that will exist only on film.

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Dona Lurdes is a mother and housewife who is suffering from empty nest syndrome when her last child leaves home. To escape her loneliness, she goes in search of new ways to fill her days and her life. Due to her thirst for new things, Dona Lurdes will live new experiences, build friendships and new love.

When Cunda, a man living deep in the Brazilian rainforest, is bitten by a snake, he has a hallucination of four chimpanzees. Once he recovers, he is shocked to find the four chimpanzees waiting for him at home, and, believing them to be special, decides to take them to the city in order to sell them.

Hello, I am a German Shepherd. Thanks to my formidable learning ability, loyalty and versatility, I am responsible for ensuring the safety of this flock. Unfortunately, today I am not bringing you good news.

Five stories by Brazilian writer Guimarães Rosa: in the hinterland of the State of Minas Gerais, Brazil, a man fears for his life after having killed one of the dire Brothers Dagobé, outlaws who have great influence over the region; a hitman asks a doctor what's the meaning of a name he has heard; in a farm, the landowner decides to share the use and property of the estate among his employees; a man falls in love with a girl, but she's said to have a dreadful disease; and the local butcher spends half of his time running after his mother and daughter, both utterly mad.

Three brothers embark on a journey that begins with a kinship with Brazil's indigenous tribes, to their creation of South America's largest national park.

Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes the end.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

In the village of Kenoma, inside Brazil, the artisan Linnaeus tries to make a big and quixotic dream: to build a perpetual motion machine. His contract is opposed by Jerome, powerful local landowner, but he wins the aid of mysterious drifter who decides to stay in town after charmed with the beauty of the young Tari.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.

Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.

In the middle of his crazy day, a man tries to remember if he closed a window at home.

The day a man almost runs-over a puppy, he meets the love of his life. The couple and their dog live the dream, until she wants out.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Nuria, 12, Fabio, 9, and their mother arrive on a small island in the middle of the Amazon, bordering Brazil, Colombia and Peru. They fled the Colombian armed conflict, in which their father disappeared. One day, he mysteriously reappears in their new home.

A mother, with her three daughters, exacts revenge on her former fiancé for killing her husband and sons.

The real story of Carlos Lamarca, a captain who, during the military dictatorship in Brazil, deserted Brazilian Army and got involved in left-wing guerilla groups, becoming one of their most prominent leaders.

André is a broken man, who lives isolated in a forest. The forces of nature embrace his body as he drowns in his effervescent inner world. Between the insomnia and the dreams, André is haunted by his past. He wishes to deconstruct himself, heal his sorrow and take the responsibility from his acts. He puts himself before the abyss where he must embrace his ghosts and change his skin in order to survive.

High Court judge returns to the small town where he was born, bringing along his beautiful and young wife. The local men get aroused and start looking for young lovers at the local bordello. Their wives even make promises and novenas asking the disappearance of the new couple. One day, the judge dies, leaving his wife unsatisfied. The corpse, as if wanting revenge, keeps an erection on.

Fictional Documentary. A dancer in one of the paintings by Edgar Degas one day stepped out of the canvas, conquers the world and disappears during the carnival in Rio; mix of the academic universe, avant-gard art and the underworld sex scene. The movie was shot in Paris, NY and RJ.

Despite having the scar that marks the domesticated, Juliana has to keep her freedom. Is romance the ultimate trap?