Paul S'Jongers

A young brickyard worker named Sam bonds with an older coworker named Louis as their traditional industry faces closure and local environmental issues.

The young Isabelle escapes from the orphanage and she adopted by two chaps on a caravan. They then meet by chance the posh family of Louise- who runs away with the three adventurers when confronted with the reality of having to marry a Belgian with a large moustache and a bald head. They find a dog. Later Louisa degenerates into a minor moment of sexual hedonism and multiplexing with the two chaps before they are all overwhelmed by the Armageddon that was WWI.

British detective Tim Frazer hunts a myserious murderer who kills smugglers in the city of Antwerpen.

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

A married schoolteacher in Flanders develops an obsessive love for one of his students. After moving away to escape his feelings, a disturbing encounter with death and an unexpected reunion begin to unravel his grip on reality.

Hazeke -the daughter of innkeeper Tapmans- marries Paul - the sun of a rich industrialist called Conti. Hazeke learns that her husband used to hang out a lot with a certain Mary.

A pessimistic urban drama, with a musical score by Jack Sels and Max Damasse, charts in strongly expressionistically lit black-and-white images the wanderings of a tormented man through the cosmopolitan port city of Antwerp. The only people to show him understanding are an orphan and two disillusioned women.

The film follows the spirited press photographer Jo Markus (played by Denise De Weerdt), who works for an Antwerp weekly magazine. Nicknamed "The Princess" because of her aristocratic mother, she teams up with two bumbling friends (De Woodpeckers, Jef and Cois Cassiers) to not only bring a gang of thieves to justice but also discover love along the way..

In the heart of the Schipperskwartier, a grocery store and a café sit side by side, run by two inseparable friends, Jef and Rik. Rik, a widower, has three spirited children who can only be kept in line by Anneke, the ever-patient housekeeper. Wanting to see his friend happily remarried, Jef places an ad in the newspaper seeking potential brides. Two women respond, but Rik refuses to meet them himself. Undeterred, Jef takes it upon himself to investigate…

Smugglers try to ship their products via Pol Knol, a trader in medical products. Due to circumstances, the package remains on Mr Knol's desk. The smugglers think that Pol has deliberately withheld it. They come to pay him a "visit."

Directed by Rik Kuypers, the 1968 documentary Lieven Gevaert, eerste arbeider chronicles the life of the Flemish industrialist, highlighting his transition from a small-scale photographic paper producer to founder of the global Agfa-Gevaert corporation. The film emphasizes Gevaert's social philosophy, his dedication to the Christian labor movement, and his pivotal role in the Flemish Movement, portraying him as both a pioneering industrialist and a social reformer.

An inspector of the Antwerp criminal investigation unit faces problems not only in his professional life, but also at home. When he is partnered with a young, over-confident colleague, he loses control over the case in hand.

Jan Peeters is happily married and his wife Annie just things he's the best. When all of a sudden 4 women buy him a tie for his birthday she's becoming suspicious.

The film follows Duke and Olivia , a troubled couple living in a gloomy city. Duke is a failed, alcoholic saxophonist, while Olivia works as a striptease dancer. Trapped in a toxic environment, Olivia decides to break free from Duke’s self-destructive lifestyle to uncover her past She was separated from her parents as a child, and with the help of a judge named Gerard, she travels back to her childhood home located on a garbage dump. There, the locals welcome her as the "Madonna of the landfill".