Richard Keene

With socialite Tracy Lord about to remarry, her ex-husband - with the help of a sympathetic reporter - has 48 hours to convince her that she really still loves him.

Ronnie Jackson is a lowly baby photographer who secretly fantasizes about being a private detective. When a lovely baroness actually mistakes him for one and asks him to help locate her missing husband, Baron Montay, Ronnie finds himself agreeing. Several days later he is on death row whiling away the hours until his execution by recounting to a group of reporters the bizarre tale of how he ended up there.

In a changing world where television has become the main source of information, Adam Caulfield, a young sports journalist, witnesses how his uncle, Frank Skeffington, a veteran and honest politician, mayor of a New England town, tries to be reelected while bankers and captains of industry conspire in the shadows to place a weak and manageable candidate in the city hall.

A bump on the head sends Hank Martin, 1905 auto mechanic, to Arthurian England, 528 A.D., where he is befriended by Sir Sagramore le Desirous and gains power by judicious use of technology. He and Alisande, the King's niece, fall in love at first sight, which draws unwelcome attention from her fiancée Sir Lancelot; but worse trouble befalls when Hank meddles in the kingdom's politics.

In Fox's contribution to the all-star revue cycle of early talkies, showboat singer Margie, hearing that the show is in arrears, goes to New York to gather all of the former stars to stage a minstrel show as a benefit.

The dream is unusually vivid: Bank employee Vince Grayson finds himself murdering a man in a sinister octagonal-shaped room lined with mirrors while a mysterious woman breaks into a safe. It is so vivid that Vince suspects it may have really happened. To get the dream off his mind, he goes on a picnic with some relatives. When a thunderstorm forces his party into a nearby mansion, Vince discovers that the bizarre room does exist, and it means nothing but trouble.

Having to leave Melbourne in a hurry to avoid various marriage proposals, two song-and-dance men sign on for work as divers. This takes them to an idyllic island on the way to Bali where they vie with each other for the favours of Princess Lala. The hazardous dive produces a chest of priceless jewels which arouses the less romantic interest of some shady locals.

A penniless pregnant woman adopts the identity of a rich woman killed in a train crash.

On a cruise ship from Honolulu to San Francisco, the famous Chinese detective encounters four more murders while trying to figure out the murder of a Scotland Yard friend.

Phil and Pete compete for Mary's love and also in a contest for best song written by a college student.

Two playboys try to forget previous romances in Singapore – until they meet a beautiful dancer.

Popular songwriter Oliver Courtney has been getting by for years using one ghost writer for his music and another for his lyrics. When both writers meet at an inn, they fall in love and then try to sell their songs under their own name. The problem is every song publisher thinks they're copying Courtney's style.

High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.

Michael Shayne is a private detective who is disliked greatly by Pete Rafferty, local chief of police detectives. Rafferty notifies the newspaper press that he is going to close Shayne's agency, just as Michael is about to be hired by the wealthy Eleanor Ramsey, who is being blackmailed. She is the stepmother of what she considers to be two grown-up brats, Dorothy and Ernest, and she considers their father to be of little value to the world himself. They all conspire to get their hands on her money, even to the extent of attempting to hire Shayne to frame an insurance robbery. Mrs. Ramsey is murdered, and Rafferty is trying to pin the killing on Shayne, despite the fact that suspicion points to Buell Renslow, brother of the slain woman. Shayne's secretary, the fetching Phyllis Hamilton, decides to do a little detective work to help her boss.

A crusading newspaper reporter battles big-city gambling interests.

Kitty Collins and Flo Jenkins, a couple of jazz-age cuties with bobbed-hair and rolled-stockings, go in search of good-times and whoopee-making. The party they find also includes some out-of-town, butter-and-egg millionaires whose definition of whoopee is not the same as the one Kitty and Flo have. The wives of the millionaires also have a different-and-dim view on the matter.

This comedy is set in New York and centers upon a singing Irish cop who causes quite a sensation among two producers when he sings at the annual Policeman's Ball. For a long time, they have been looking for a voice for their new cartoon feature, "Paddy the Pig," and the cop is just perfect. The policeman is tickled pink at the prospect of being a star and begins telling all his friends about his good fortune (he has no idea what they plan to do with his voice). Eventually he ends up marrying one of the producers, who still hasn't told him the truth. Suddenly the night of the big premiere finally arrives and all of the policeman's old friends and colleagues are there. As it begins, the policeman is appalled and humiliated to see that he has been mocked and has become a laughing stock. He immediately spurns his new wife and goes back to the police force. Time passes, and fortunately, the two reunite and settle their differences.

Daily life at men and women's prison units where baseball and the marching band are serious business. Two prisoners escape in order to help paroled Steve from being blackmailed by his girlfriend's ex-partner-in-crime.

A compulsive gambler bets her freedom against a $16,000 debt to a crime boss…and loses. But before he can collect, she skips town, with a private detective hot on her trail.

A lawyer is framed for the murder of a young party girl and tries to clear his name.

A crusading editor and his star reporter aid underprivileged youths and crack down on racketeers out to fix basketball.

The son of a wealthy politician falls in with a notorious gangster planning to rob a night club.

Why Leave Home? is said to be a lost film according to the Fox section at Lost Film Files.

In this comedy, actor Hugh Herbert plays six different roles. Only one of the roles is a man. The story centers around a dizzy music lover, who has grown rich through real estate deals. Also figuring in the story are a cab driver/performer, and a down-on-her-luck, aspiring singer. They meet when she hails his cab as she skips out on her former boarding house because she cannot pay rent.

In this pygmalionesque musical, a drab secretary leads a boring life until a good friend intervenes. The friend begins a total make-over upon her friend. First she slathers her in mud-packs, and then she encases her in lovely silk dresses. Soon the plain woman is transformed into an extraordinary beauty. It is no surprise that her boss, not knowing her true identity, falls hopelessly in love with her. Singing, dancing and romancing ensues. Songs include: "A Picture No Artist Can Paint," "You Gotta Be Modernistic," "I'm Telling the World About You," "Maybe Someday," and "Can I Help It."

A resort owner tries to marry his daughter to a millionaire, but his scheme doesn't turn out exactly as planned.