Bruce LaBruce

An exploration of twenty artists and their bodies of work.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

A journey through Swedish queer film history.

Reminiscent of Sunset Boulevard, the action is transposed from the silver screen's old backlots to contemporary male prostitution and the pornographic industry.

A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.

In LaBruce’s first short experimental super 8 film, a loose narrative is constructed out of a variety of film clips, some shot on location by the filmmaker, some found footage, and some shot off the television screen. A woman with long red hair (G.B. Jones) sits on a window sill and looks down with her binoculars at the street below. Meanwhile, Mary Tyler Moore escapes from an aggressive man and runs to the park. Boy/Girl is a documentation of a period of time when filmmaker LaBruce lived in a crummy, squat-like building at Queen and Parliament Streets in Toronto with the all-girl punk band, Fifth Column.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

Documentary on the making of Gus Van Sant's "Psycho." Featured at the Berlin Film Festival, 2000.

An Italo-American teenaged girl in Michigan, with a Catholic family, becomes pregnant. To avoid both a scandal and an abortion, she secretly gives birth to a boy in hospital, which is run by nuns. They establish a false identity for him and arrange to have him brought up in Argentina. At the age of 18, the boy discovers that his biological mother is Madonna Ciccone, who, after giving him up, became the iconic international pop-culture mega-star.

The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.

The lives of four down-on-their-luck characters. Surrounded by the vestiges of conspicuous consumption, they struggle to survive outside of society, fashioning their own aesthetics of poverty and devising strategies to navigate a surveillance society, evading or performing for cameras everywhere.

Living somewhere in present-day Quebec, Boris Malinowski has achieved all his goals. A freethinker, open-minded and proud, he also displays a certain arrogance when it comes to his successes. For some time now, his wife Béatrice, a Canadian government minister, has been bedridden, suffering from a mysterious depression. To escape from his wife’s agony, Boris begins a relationship with a colleague, Helga, and gets close to Klara, a young woman who works as a maid in Boris’s home. The sudden appearance of a stranger in his life forces Boris to come face-to-face with the world, with everything he takes for granted, with all his certainties.

Amid girl fights, girl on girl sex and boy on boy sex, and a measure of BDSM, the YoYo gang battles the Skateboard Bitches.

A down-on-his-luck adult film star sees a chance to make a comeback via a lesbian documentary film-maker, but she is exploiting him to get financial backing for her pet project.

Documentary about the groundbreaking queer feminist art band Fifth Column, who were at the centre of Toronto’s influential Queercore scene in the 1980-90s.

Fonda LaBruce and Vaginal Davis are a drag queen lesbian couple experiencing bed death. They call in therapist (Dr. Chris Teen) to help them get out of their sexual rut.

Toronto filmmaker Alan Zweig analyzes the phenomenon of record collecting.

In this Canadian Candide update, orphan Gordie (Jamie Shannon) lives with his hippie aunts at a quiet Porridge Glenn farm. When his beagle Speedoh is lost, a call from a psychic suggests a search in Toronto, where hayseed meets hooker wannabe Heidi (Sarain Boylan). She introduces him to two past-porn performers (Shelly Mars, Scott Thompson), the former stars of "Who's Afraid of Vagina Woolf?" Hick Gordie seems destined for street hustling and boogie nights after encountering a gay band that raises AIDS-research money by selling Gordie off to a sleazeball pimp (Alex Karzis). At this juncture, however, Heidi hatches a plan to reunite Gordie and Speedoh.

The urban on-line dictionary defines queercore as “Gay-themed, underground, independent music; usually punk rock (Team Dresch, Pansy Division, The Butchies, The Need, etc.)”. See for yourself.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

Go deep inside one of the most recognizable gay porn stars of all time. This exciting doc takes you behind-the-scenes to get a glimpse at the real life of François Sagat.

Discover the New York underground scene during the 80s and throw yourself into an exciting, anarchic and repulsive world that you won't forget.

A previously unreleased provocation from queer cinema’s outrageous auteur Bruce LaBruce