Árni Pétur Guðjónsson

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

Renowned photographer, Larus, returns to Iceland to attend the funeral of his mother. With him is his wife Rose, twenty years his junior. With his homecoming, Larus begins to reminisce on his childhood, and becomes distant from his wife. Soon she begins to realize that not everything is as it should be.

Regína is 10 years old. Her mother, Margrét, works at a home for the elderly and her father is dead. The story begins one sunny summer morning when kids are leaving for the summer camp and Regína has been told she cannot go. While alone at home killing time she discovers her gift, which is hypnotizing singing. Her friend Pétur shows his talent for finding words that rhyme and together they increase the power of singing.

In a barren land ruled by oppression and ignorance, a spirited woman driven by hope of a better life must fight against the odds. Agnes is a servant in the house of the county sheriff. There she is constantly sexually harassed by him and treated with contempt by his wife. Agnes falls in love with Natan, a self taught homoeopathic doctor. The sheriff takes revenge on Natan by making it illegal for him to practice his profession. The dramatic relationship between the three main characters ultimately leads to a fatal web of events where a love affair turns into a nightmare of brutality and destruction.

On Christmas Eve, an Icelandic family comes face to face with the Yule Cat, a ravenous creature of folklore hungry for those who didn't get clothes for Christmas.

Stella and Salomon run a business together, framkoma.is. Salomon is hired by Anton Skúlason, pilot, to beautify and transform a village, that he owns. Stella stays in the town and starts teaching politicians how to act for the coming elections. By accident Stella gets involved with the Centrum party, the main rival of the Central party, and before she knows it she's head over heals in politics.

A young farmgirl, Belle, with a history of being trapped in toxic relationships, becomes trapped by the Beast who promises to cure her sick father with a rose if she stays with him.

A couple decide to get married in a church out in the country. It is 1 hour drive from Reykjavik but things do not go as planed.

After a heartbreaking split with his girlfriend, acting student Angantýr goes through various stages of grief while preparing for his final stage performance of the semester.

About Icelandic composer Jon Leifs (1899-1968) who spent much of his life in Germany before WWII. The film begins in the 1930s after he has married the daughter of an industrialist, Annie, who is also a concert pianist. This era was frustrating for Leifs because his works were seldom performed. Iceland's submission for the Academy Award for Best Foreign Language Film in 1995

No description available.

A modern businessman surrounded by all the trappings of success, picks up a beautiful woman who is hitchhiking along a lonely stretch of road in the south. Quiet, mysterious, the woman is an artist on the way to Meðalland to sketch. Always ready to take advantage of an opportunity, the young man adjusts his itinerary to help the beautiful artist, and with luck, he thinks, help himself add another notch to his sexual belt. But all is not what it seems in this world. The question arises as to whether all the expensive aids of modern affluent society can help him avoid what appear to be forces that transcend time - or is it all imagination, or hallucination, or both?

Páll thinks he is just like everyone else, that is until he begins to have vivid visions about life after death. At first he has a open mind about them, but discovers through them an evil plot. The visions show him a spree of killing of important people within society. A panic ensues, and Páll gets tangled in a plot with powerful people and a cult that could destroy society.