Mihaela Sîrbu

One day, teenager Magda offers her expensive necklace to a sick child in the hospital she volunteers for- her father is certain she is lying again. When she proves her innocence, he is ashamed and guilty but also incapable of admitting he was wrong. Relationships are now broken and in chaos, and past decisions have an irreversible outcome.

The Holy Week, around 1900, somewhere in Romania. The tense relationship between the Jewish innkeeper Leiba and Gheorghe, his Christian employee, reaches the point where the innkeeper decides to expel the latter. Revengeful, Gheorghe promises Leiba that he will return on Easter Night to “settle” his accounts. This threat comes as a last straw against Leiba’s attempts to cohabit with his hostile, anti-Semitic environment. From then on, Leiba will struggle distinguishing between the real danger and the one fabricated by his anxieties, engaging onto a path of transformation leading to extreme consequences.

American professor Robert Traum embarks on an adventurous and amusing journey through Bucovina to find Sami the projectionist, the only person alive that can tell him anything about his Romanian Jewish descent. His symbolic journey is filled with danger, the unknown and the surreal, but finally rewarded with a double love: on the one hand he finds romantic love, on the other the passion for old cinema, nomad, popular, naive and generous.

The corpse of a woman is found in front of Maria’s apartment window. She agrees to take charge of the funeral, becoming involved in her neighbour’s existence. Maria adopts the woman’s unattended dogs and forms a bond with her estranged son. After the burial, Maria tries to reclaim her own life back, but a haunting feeling lingers.

Every year Mihai carries his motorcycle in his tenth floor apartment during the winter and bring it back downstairs in spring with the help of his friends. But this year Mihai finds out how fragile friendships can become.

The manager of a large timber company disappears without a trace in a large forest area in Romania. Ex-soldier Hans Schüssler is on a secret mission to investigate the Romanian timber mafia in his old home country of Transylvania, where he has to fight against "bloodwood" and "bear dancing".

Black comedy on New Year's Eve. Fulfilling her list of New Year's resolutions creates more problems than solutions for Monica (Cosmina Olariu).

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

Marius is a divorced man in his late thirties. His five year-old daughter Sofia lives with her mother, which causes Marius a deep frustration. On the day Marius arrives to take his daughter on their annual holiday, he is told that she is ill but he doesn't believe it and insists to take her with him. The situation soon gets out of control with all the family taking part in a web of humor, violence, childish songs, police interventions and love statements.

In a torrid summer day in Bucharest, the priest Florin Florescu is called to a dying woman's side for saying a prayer.

A director with two weeks left on his latest production fakes an ulcer to pursue a romance with his lead actress.

A young Romanian gendarme, Cristi, tries to find the balance between two apparently opposing parts of his identity: that of a man working in a macho hierarchical environment and that of a closeted gay person who tries to keep his personal life a secret. Cristi is called in for an intervention at a movie theatre, where an ultra-nationalist, homophobic group has interrupted the screening of a queer film. After one of the protesters threatens to out him, Cristi spirals out of control.

Security guard Aurel (Andi Vasluianu) and his wife Irene have a moderately happy marriage and a moderately comfortable lifestyle in urban Romania. Irene takes a working trip to Cairo and returns invigorated with the swell of success. She sets out again and never returns. What follows is both predictable and unpredictable. Aurel, and the audience, are suspicious of the official explanation of her death so the foundation is laid for the traditional who-dunnit. Aurel proceeds on an emotional search against all odds.

In a seemingly easy theatre exercise, Rebeca, a young Roma woman, student at an elite acting school, is pushed to confront her biggest fear.

Drăgan Niță is a humble French teacher from Romania that has always dreamt of visiting Paris one day. To make his dream come true, he saves 1 lei every day.

After an incident in a bar, Laurentiu dies due to a serious head injury. The film accompanies him through his last living day and offers a glimpse into his last moments. Based on a real life story.

Several residents discover an unconscious woman lying in front of the block. Even though she lives on the third floor, nobody knows her name. While waiting for rescue, the neighbours reflect on her life and their own.

Alice, a buoyant and impertinent red-hair teenager is far from the charming little girl her mother adopted as she was unable to have a child of her own. Being an endless source of problems and affected by the specter of her mother’s disappointments, Alice acts with her back against the wall, forging lies and blurring lines between the fiction she designs for herself and the reality of her existence. Until her mother discovers she is pregnant.

The story opens with Bica, a solvent abusing waif, trying in vain to evade the Romanian police with her infant brother in tow. Separated from her sibling she is taken to Germany, concealed in the trunk of a car. There she is trained as a thief, picking the pockets of strangers to fill those of her patron. One of her victims is the separated father of Milka, a brat with razor sharp tongue. From this unlikely start a friendship forms and Bica gets a glimpse into a world of material security, if not emotional closeness...

Otto, a seventeen-year-old punk, becomes involved in the social services investigation of his girlfriend Laura’s death. He is caught up in a vicious circle created by his parents, his mute grandpa and Laura’s mother. Laura is still part of his life through video recordings that he edits constantly, trying to make sense of the events. Through this process, Otto must take his portion of the responsibility for what happened.

A short film that raises questions about what is seen and heard on screen. Questions about the perception of reality, as well as questions about the perception of love.