Souleymane Seye Ndiaye

Broke, with nothing but her cat to her name and doors closing in her face, Paula is back in Paris after a long absence. As she meets different people along the way, there is one thing she knows for sure: she's determined to make a new start and she'll do it with style and panache.

Jeanne, a young modern woman, mourns her brother who died in the front a few months earlier in WW I. She can not bring herself to marry the rich and charming Adrien whom her mother intends for her. A strange feeling prevents her from loving this man who nevertheless nourishes for her strong and sincere feelings. She will nevertheless resign herself - Until the day when Bakary a Senegalese rifleman who had fought until the last moments under the orders of her beloved brother arrives on leave in the family home. The two young people who are all opposed will be irresistibly attracted to each other. Their impossible love will provoke hatred and fury. But this forbidden and secret passion will also release some dark secrets.

The debut feature from Franco-Senegalese filmmaker Dyana Gaye charts the interconnected destinies of three far-flung sojourners across three continents. A quiet drama, about the anxieties of negotiating journeying to foreign countries and making a place for oneself in the world.

Baye Laye is the captain of a fishing pirogue. Like many of his Senegalese compatriots, he sometimes dreams of new horizons, where he can earn a better living for his family. When he is offered to lead one of the many pirogues that head towards Europe via the Canary Island, he reluctantly accepts the job, knowing full-well the dangers that lie ahead. Leading a group of 30 men who don't all speak the same language, some of whom have never seen the sea, Baye Laye will confront many perils in order to reach the distant coasts of Europe.

Milan, like Paris or Stuttgart, and like many other European cities, is the theater of the drama of immigration. Demba reconstructs his story and that of his brother Yaro, both Senegalese immigrants in Italy, in a long and fragmentary flashback that begins with Yaro’s murder and recounts their departure from the village, arrival in Europe, the work they find selling lighters and picking tomatoes in the south of Italy: the stages every “non-EEC citizen” goes through in Italy.