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The movie is absurd, and a thoroughly original take on the morale in Japanese society. The images are beautiful, and the people are as cold as the snow that surrounds them. The take on Melville's "Samoraï" from -67 is obvious, but Kobayashi turns the image around and portrays the killer as the weakest person in the movie - haunted by his demanding wife and the moaning contractor, who is one of the most mysterious characters ever portrayed in a movie.
Following a stint in reform school, Ryu (Shinsuke Shimada) returns to his home, the Minami area of Osaka, accompanied by his new friend Ko (Takeshi Masu). He's greeted by his friends, Chabo (Ryusuke Matsumoto) and Ken (Bang-ho Cho). They seek to forge their own path through a multitude of rival gangs in Kita and Minami, including the Hokushin Alliance, backed by the yakuza, the Hope Association, and various other minor factions, including Zainichi Korean groups. What follows is a wild, fast-paced story of violence, revenge, betrayal, and discrimination, that never loses its sense of humor.
