György Melis

The triumphant adventures of the Hungarian baron Münchausen are recounted in the form of a musical.

Even without a clock, the watch-maker of the small country town always knows the exact time to the second, and for this reason he came to be called Mr. Clock. His wife left him, and he only lives for his work. He is just engaged in repairing the tower clock when his wife returns and the German troops appear.

A typist girl who is under the influence of nervous breakdown walks out to the street stark naked from the office she works in. A young physician goes by accidentally and tries to help her, spreading his coat over her nude body. From this moment his life changes completely.

We have linguists, we have literary men, we have newspapers, actors, musicians, but we have no national opera!", lamented the champions of national revival in the middle of the last century. Hungarian music culture at home is limited to the performance of works by foreign composers. And the public demands Hungarian opera, and such a challenge is not easy to meet. So let's see who is up to the task!

Wealthy American Mr. Otis and his family buy a castle in remote England. They do not believe the rumours that the castle is haunted. No amount of chain-snatching, bloodstains or death screams can shake the American family...

Buda is mastered by the Turks. Student Gábor and his companion flee a troop into the castle, just in the garden of Gül Baba. Gábor and Leila, the daughter of Gül Baba fall in love with each other. Ali pasha, who wants to marry the girl, has the two Hungarians caught in order to let them be executed.

The film has a broken meaning, the last time he was a proofreader for a book publisher, he is now unemployed. Ever since he was a child, he has always been the one who pulls the short one, and he takes the wrong one. At the beginning of the film, he finds himself in such a "bunbak" situation again, and then he decides to become a professional bunbak...

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This is released as part of Art Haus' Walter Felsenstein edition. Felsenstein, a contemporary of Bertold Brecht, ran the East German Komische Oper from just after World War II to his death. Felstenstein was famous for his ensemble productions and for the enormous amount of rehearsal time that went into his productions.