Acting
No biography available.
10 movies sorted by popularity
Babi, a sheltered upper-class girl, and Hache, a reckless rebel obsessed with illegal motorcycle races, fall into a forbidden love that pulls them deeper into passion and risk.
A mysterious epidemic spreads across the planet. Humanity develops an irrational fear of open spaces that causes instant death. Soon, the world population is trapped inside buildings. As Barcelona descends into chaos, Marc sets off on a quest to find Julia, his missing girlfriend, without ever going outside.
Julia, a woman suffering from a degenerative sight disease, finds her blind sister Sara hung in a basement. Despite all signs pointing to suicide, Julia decides to investigate what she intuitively feels is a murder case.
Soon a man will find out that his destiny is already written and that he can't do anything to change it.
Based on real events from the fieldwork on gender-violence within the juditial system the director conducted as an anthropologist between the years 2005 and 2008. It shows men's perspective on the abuse inflicted by them against their female partners.
In a particularly hot summer, Sister Consuelo, superior of an order dedicated to caring for the sick, decided to transform the dilapidated hospital into a modern nursing.
No description available.
Spain, 1931. Under the Second Republic, women are eligible, but cannot vote. Victoria Kent and Clara Campoamor, the first women in the Spanish Parliament, intend to fight for women's rights, and Clara knows that the first step is to get the women's vote approved…
"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.
