Jo Deseure

Alain raises his deaf son Milano alone and wants to give him a better life than he has, but despite the best intentions, his failure becomes apparent. Their father-son relationship comes under pressure when Milano wants to meet his biological mother.

Diane desires men as much as she despises them. When she learns that her mother was raped in her youth, the shock is muffled. It’s a surprise—and yet, it explains everything. Diane has only one thing on her mind: avenging her mother. But her mother has only one thing on her mind: finally becoming the woman she should have been. Between the one who wants to remember and the one who wants to forget, everything tightens.

Mathieu is a marine biologist. He spends his time on his microscope, cutting tiny marine organisms corpses. He’s unhappy. His true wish would have been being on the sea. But an event will abruptly change his life : Christine, his mother in law, runs away. Attracted by this impulsion, and curious to understand her, Mathieu starts looking for her. He’s going to find her in a house by the sea and will share the same desire of regaining control of his life.

Alex and Noémie would like to have a child. But their plans are turned upside down when Alex's mother, Suzanne, has contracted "semantic dementia", a fatal neurodegenerative disease that affects her behavior.

A retirement home by the sea. A storm is brewing. Élodie, 11, visits her grandmother Ismène, who seems lost in the fog of her memories. The young girl fights back against fate with a few notes of music. The fog begins to lift.

Pauline juggles life between her kids and her work as a landscape designer where she has to fight for her place amongst her male colleagues. Her life is turned upside-down when her mother tells her that she is going to live abroad and will no longer be able to take care of her children, then becomes chaotic when she is appointed manager of an important project. On all fronts, her life takes a turn for the worse.

A biography of the Belgian nun Jeannine Deckers, who became a popular singer in the early 1960s and struggled with the contradiction between the church and her true self.

The Hoomans is an allegory of a tribe locked up in a moving cave: a campervan. But who's driving it? It's not safe to ask this question; no one knows what happened to '?"The Boy who wanted to know". The tribe's everyday life, normally routine and organised would be turned upside down the day the campervan stops and opens its doors. Will they ever risk exploring the mysteries outside the cave which they have only viewed as images through its windows?