Owen Pallett

Nash The Slash was deliciously surreal, verging on demented. A mummy wrapped in surgical bandages, an invisible man in full formal white tuxedo and top hat buzz-sawing his violin through endless reams of electronics, melodies and distortion. His music and image were demanding. His life was rock fantasy. ‘NASH THE SLASH RISES AGAIN!’ uncovers the sinister Canadian electronic music innovator. A classically trained violinist and multi-instrumentalist, he created music that was an unlikely combination of prog-rock, punk-rock, classic-rock, psychedelic fused with techno and industrial before they had names. The end result is an unearthly life drenched in film history, enveloped in a wall of sound that would do Phil Spector justice. A career embodied in artistic integrity, courage and the price-tag that comes with it. ‘NASH THE SLASH RISES AGAIN!’ unwinds the bandages of a ground-breaking, mad musical scientist whose career decomposed before the world caught up.

The making of Spike Jonze's "Her."

550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?

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The Hidden Cameras burst onto the music scene in the early 2000s boasting an irresistible combination of pop and queer sensibilities. Music Is My Boyfriend chronicles the early days of Joel Gibb’s mighty band as they gather steam in their native Toronto. Combining interviews with original members, behind-the-scenes session footage and rarely-seen 16mm film of two legendary live church shows, the film is both a mash note to a beloved band and a time capsule of the raucous, vivacious queer underground scene from which they emerged.