Choi Eun-hee

Choi Eun-hee

Acting

November 20, 1926 — April 16, 2018
Gwangju, South Korea
61 movies

Biography

Choi Eun-hee (November 20, 1926 – April 16, 2018) was a South Korean actress, who was one of the country's most popular stars of the 1960s and 1970s. In 1978, Choi and her then ex-husband, movie director Shin Sang-ok, were abducted to North Korea, where they were forced to make films until they sought asylum at the US Embassy in Vienna in 1986. They returned to South Korea in 1999 after spending a decade in the United States.

🎬 Choi Eun-hee's Filmography

61 movies sorted by popularity

Dongsimcho
6.5

Lee Suk-hui (Choe Eun-hui) lost her husband to the Korean War eight years ago. She runs a dressmaking shop that has fallen into debt. When Kim Sang-gyu (Kim Jin-gyu), the executive director of a publishing company, helps her pay off debts, she falls in love with him. He, however, is engaged to the daughter of his boss, Ok-ju (Do Geum-bong). His sister (Ju Jeung-nyeo) pushes him to marry the boss's daughter, hoping that will bring him rapid success. Meanwhile, Suk-hui's grown-up daughter Gyeong-hui, wanting her mother to be happy, urges her mother to marry Sang-gyu, but Suk-hui vacillates between social mores and her own happiness. Even though she and Sang-gyu truly love each other, she decides to leave him and heads for her country home after selling her house in Seoul. Hearing the news, he who is ill in bed hurries to Seoul station, but it is too late. All he can do is just to stand on the platform and to watch her train pulling away.

Dongsimcho

1959
A Sister's Garden
6.0

Dr. Nam, in his will, requests that his eldest daughter, Jeong-hui(Choe Eun-hui), marry a painter named Dong-su (Nam Gung-won). Jeong-hui is at risk of losing her house due to her father's debt, and a young physician Sun-cheol (Kim Seok-hun) who received his college education with the financial support of Dr. Nam, helps her by selling his own house. Despite his love for her, Sun-cheol cannot express his feelings because he knows of the request in her father's will. When Jeong-hui looks for a job to support her family, Bang, whom Dr. Nam once cured, offers her a position of saloon madam. Meanwhile, her younger sister Myeong-hui (Choe Ji-hui) promises Dong-su her hand in marriage. Jeong-hui, now running the saloon, wishes them happiness. It is only when she gets a proposal from Bang and decides to accept it that Sun-cheol confesses his love for her. Moved by Sun-cheol's true affection for her, Bang gives her up, and Sun-cheol and Jeong-hui exchange vows of marriage.

A Sister's Garden

1959
The Shadowless Pagoda
6.3

On the eighth of April of King Gyoeng-deok's 10th year of the reign of the Unified Silla Period, Guseulagi, a daughter of Yu Jong, joins the king's parade to Bulguksa Temple, where she meets a stonemason named Asadal from Buyeo. Having a crush on him, she visits Sakyamuni Pagoda, a masonic site; only to find that Asadal had broken down from exhaustion. While she takes care of him, her love for him grows. But Asadal misses his wife who is waiting for him in Buyeo. Meanwhile, Geum Seong who has a crush on Guseulagi, asks his father, Geum Ji, to propose on behalf of him. But Yu Jong is so dissatisfied with Geum Ji because he is a treacherous subject, that he turns down the proposal, instead of hurrying up his daughter's marriage with Gyeongsin, a faithful subject. Asanyeo who has been waiting for her husband Asadal in Buyeo goes to Bulguksa Temple after her father-in-law had died.

The Shadowless Pagoda

1957
Keeping the Vision Alive

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

Keeping the Vision Alive

2002
Madam White Snake
7.9

A thousand-year-old snake that has transformed itself into a human, Madame White Snake (Choe Eun-hui), falls in love with a young pharmacist named Heo-Seon. Although they encounter difficulties, they are wed, and their love for each other does not change. However, Beophaeseonsa (a Zen priest) and Gwaneumbosal (the Buddhist goddess of mercy) order Madame White Snake, who had transformed into human without being granted permission to do so, to return back to the world of the gods before July 7. Grieving, she prepares to say goodbye to her beloved husband. But before she can return to the world of the gods in time, she falls into a trap set by Dae-yun (Choe Sam), who is attracted to her. Because of the trap, she is not able to keep the promised deadline, and ends up risking her life to save her husband.

Madam White Snake

1960
Choi Eun-hee | MovieMind AI