Maria Olguim

The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.

A sad and strong people living in the huge plains of Alentejo. Their endless struggle for bread, their nostalgic, bewitching songs and their daily toil to turn a dry, barren land into golden wheat fields.

Aurora is a modest young girl, working as dressmaker for the women her popular district, near the OPorto cathedral. One day, through a hintz-dress design competition, she gets involved with a haut couture atelier.

Joana lives in a small and remote village where people are very primitive and religious. When accidents start happening that involves her, people slowly start believing that she is possessed by the devil.

Seven years after the disastrous Battle of Alcácer Quibir, where King Sebastian and the nobleman Dom João disappeared, the latter's wife Dona Madalena de Vilhena finally gives up hope that he'll return and marries the knight Dom Manuel de Sousa Coutinho, with whom she has a daughter, who is afflicted by a fatal illness. Now only the tutor Telmo Pais retains the hope that the lost husband is alive, a premonition that may be confirmed after two decades, with the arrival of a mysterious pilgrim...

Tony, a trapeze artist, gets a job at a small circus. When a tempest takes away the tent, Tony stays for the love of the beautiful Belmira who could be a rider… if they hadn’t sold the horse. They play at open-air, sleep under the stars, scrimp and save every penny, and soon there’s a new tent to be bought on credit. But Belmira is not happy, she dreams of a real home, while Tony is fascinated by the circus. And the gloomy days are back.

The return of José do Telhado and his adventures to free his brother from the group of José Pequeno, another famous bandit of that time, and the bloody fight between both.

Jorge, a successful engineer and employee of a ministry and Luísa, a romantic and dreamy girl, star as the typical bourgeois couple of the Lisbon society of the 19th century.

It focuses on maritime tragedy of the town and a forbidden love between Julha and João Moço, from different fisher castes, in a community where mixed-caste marriages were not allowed and dating without parent's assent was seen as a disgrace to the family, not only in respect to women, but also men.

Anastácio lives in Lisbon and is fanatic for Sporting CP, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.

Geninha and Óscar are a couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem willing to allow their marriage, nor the creation of a local radio for them.

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A screenwriter falls in love with a Mexican woman while searching for a story line south of the border.

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André (Curado Ribeiro), is a son of a wealthy family who meets a girl called Luisinha (Milu). Luisinha lives at a small pension house with Rita (Maria Olguim) and Januário (João Silva), who are as parents to her, and with mr. Simplício Costa (António Silva), better known as Costa do Castelo, a lazy but highly talented guitar player who together with (Hermínia Silva) reaches success.

Luisa and Manuel begin the existence of married, having only their dream and hope. He judges himself a Tarzan in the jungle of life, able to face all the threats, next to his companion.

When Mr. Elias discovers that his aunt, who lives in Brazil, comes to visit him, he decides to temporarily occupy the house of a wealthy neighbor who's away so that she doesn't discover that he's not as rich as he told her.

In Madragoa, Zé Luís, a man of the people devoted to his work, is in love with Clara, the daughter of Santana das Carnes, his godfather and protector, who intends to marry her to D. Eusébio with the intention of financing his business. When Santana discovers the romance, he fires Zé Luís and forces him to break it off, convincing him that he owes his marriage to Margarida, a young woman of the same upbringing. Zé Luís finds employment at the docks, Margarida dies of illness, Santana goes bankrupt... Zé Luís supports him with initiative and money from his father, who has meanwhile returned from Africa, and ends up marrying Clara.

The domestic misfortunes of Duarte Tinoco, a married man with a free heart. At a time when the leading filmmakers in Portugal were foreigners working under contract with Invicta Film, the possibility of Portuguese artists with special skills moving into directing was a key project for that production company. This is how António Pinheiro, an acclaimed actor, came to direct Tinoco in Bolandas. The experience proved positive and was continued in another film. To make this film, António Pinheiro enlisted the help of his mentor, Georges Pallu, who had directed him in several films. In addition to appearing in the cast, Pallu was also responsible for adapting the play on which the script is based.

Manuel da Cruz, a young apprentice in the saddle, is discovered by the cattleman João Gama, who marvels at his skill, deciding to make him a great bullfighter.

Estefânia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.

Mário Gonçalves, a high school teacher threatened with death due to cancer, spends the last days of his life in the village where he was born, in the heart of Serra da Estrela. There, he expresses his talent as a painter in the intimate decoration of an abandoned chapel. This is also the twilight hour of rebellious memories: love and precariousness, choices and contingency, perennial dissatisfaction...

Meia-Lua used to be a sailor, but he now makes a poor living smuggling. He is a cynical man, who doesn't care for Ana or for the child they had together. He lives with the beautiful Marlene who dances in the bars. Gull spends her whole days lulling a doll in her arms, and she waits for her love that will rise from the depths of the sea. The deaf musician Sparrow watches over her, in his despaired love and long-held wish of becoming a sea captain. There is a dispute down the piers, there is a crime that might be just an accident, there is a bad conscience that turns sour, there is a boat full of poor wretches like a rocking lullaby, a baby that passes from arms to arms, a clumsy beggar that finds some work, a courthouse of tramps... From this expressionist account that has unexpected comical moments, the censors from Salazar's regime cut away 20 minutes that were never to be found again.

Mr. Silva has a dream: to live in the countryside and become a farmer. And one day it happens. He inherits a farm from an old aunt. But not everything will be roses, as Mr. Silva soon finds out...

Alberto has a vocation to sing, but at home run counter to their ambition. The father, owner of a shoe shop either, the force, that he work in the shop. / Alberto tem vocação para cantar, mas em casa contrariam a sua ambição. O pai, dono de uma sapataria quer, à força, que ele trabalhe na loja.