Demet Gül

Serdar is 29 years old. He is an introvert person who continues his life as an animator. The idealist journalist who works in the magazine Ah Güzel Istanbul has long been in love with Gizem, but Gizem is not even aware of his existence. Serdar, with his roommates Batu and Masal result as a result of a claim, meets Gizem and decides to be dear. The subject of Gizem's interview with the magazine is filo-phobia. And Serdar introduces himself as a filo-phobic.

After his father’s death, poor Berhudar is left dealing with his father’s huge debt to the mob. In one of his many attempts to find a way out of his problem, he meets Ezel. He hopes she will help him get out of the mess he is in. Little does he know the she’s dealing with a very similar trouble...

Hatice has a problem: she desperately needs a man. Because her younger sister Fatma is pregnant and must marry immediately. However, that is only allowed when Hatice is under the hood, as the old Anatolian tradition, to which the father Ismail firmly clings. But where should Hatice find a groom so fast? Because a Turk may not be under any circumstances, which may blaze in the German man already a bit Turkish fire. And so Hatice goes in search of her "Hans with hot sauce".

After living 45 years in Germany, the Turkish Hüseyin Yilmaz, seventy, announces to his family that he has bought a house in Turkey and they should return to make the necessary reforms. The idea is unwelcome and causes very heated discussions. In addition, Canan, a granddaughter of Hüseyin, announces she is pregnant and the father is her English boyfriend, and no one knew anything.

On the set of a turbulent shoot of a Medea adaptation in Senegal, Maja seeks solace in a love affair with her co-star Nourou. Months later, they meet again at the film’s premiere in Berlin. Old feelings resurface, but a racist incident unsettles their reunion. Tensions rise as everyone tries to do the right thing. While the ancient tragedy plays out on screen, a contemporary drama unfolds.

When a meticulous homemaker hosts a lavish get-together, her family heirloom gets stolen. She teams with her out-of-towner nephew to find the thief.

Esra leads two parallel lives. In her daily life the vivacious and spirited Esra adores her family but feels caged in her relationships. In her dream life, she yearns to discover the identity of the man who visits her dreams. While in waking life she struggles in vain, in her dream life she evolves in secret. But what if waking and dreaming were never separate and the real secret is shored by all?

The three garbage collectors accidentally get on the trail of a protection racket in the Neukölln neighborhood: Snack bar owner Mohammed has to fend off an aggressive gang of youths and eventually resorts to drastic measures - but Werner discovers that the situation is not quite as clear-cut as it seems. Meanwhile, Tarik's extreme jealousy puts his relationship with Werner's daughter Annika at risk.

A quintet is an omnibus feature told from the perspective of five international up and coming filmmakers who are searching to find identity in the modern world. The five segments are : "Polaroid" by Roberto Cuzzillo; "Friend Request" by Elie Lamah; "The Cuddle Workshop" by Mauro Mueller; "The House in the Envelope" by Sanela Salketic; and "The Tourist" by Ariel Shaban.

Is a murderer always a murderer? Karla Eckhardt supports easing measures for convicted murderer Anton Lisky. But as soon as she is released, Lisky's work colleague is killed. Was Karla wrong?

Ali Kemal and Vahi, two childhood friends striving to realize their dreams, aim to make a Yeşilçam film. Although the two friends, who devoted themselves to their work during Yeşilçam's most dynamic and popular period, thought their task would be easy, as they became more familiar with the industry, they realized that it was a much more complex and large-scale system.