Sajitha Madathil

A real life account of the deadly Nipah virus outbreak in Kerala, and the courageous fight put on by several individuals which helped to contain the epidemic.

Kannan is a gangster who rules the crime-infested town of Kotha. After getting humiliated by Kannan and his men, CI Shahul Haasan tactfully plots the return of former gangster named Kotha Rajendran alias "Raju", thus leading to a transformative turn of events.

When Anand learns that his wife Binu Trivikraman's name ended up in Kerala Anti-Social Activities Prevention Act (KAAPA) list by mistake, he embarks on a journey to prove her innocence, but finds himself caught in the crosshairs of a hardened gangster and a merciless war.

Following the loss of his sister, a young man is forced to reflect on his childhood and reassess his future. However, he finds support and courage from unexpected quarters.

Based on the medieval fair called Mamankam, which was celebrated every 12 years between 800 AD and 1755 AD, the story of the film is supposedly about a brave warrior of Malabar and his loyal soldiers.

Based on a true incident, the film is about four men, who call themselves Ayyankali Pada, holding the Palakkad collector hostage demanding tribal land rights.

In a Kerala village, jobless Pappu juggles clearing his academic backlogs, wooing his crush, and dealing with family troubles amid local mayhem

The movie features the lives of six different persons from different strata of the social life of the city, interconnected due to unexpected events beyond their control. The narrative is patterned like a Rubik's Cube; it's a brainy entertainer that mixes various genres.

The film narrates the tale of Venu, owner of a small finance company in Thrissur. His life is shaken up after some unprecedented events leaving him at a dead end. This movie is about how he finds a purpose to live.

When Rasheed returns to Kozhikode from the Gulf, his friend locks him up in a commercial space with Thankam, a prostitute. Things go down the hill when his friend is unable to let him leave.

Abraham Mathew Mathan aka Paappan, a voluntarily retired S.P. from the Crime Branch who is unwillingly reinstated to the force for investigating a long-standing murder case.

Swapaanam (Malayalam: സ്വപാനം) (English translation: The Voiding Soul) is a Malayalam film directed by Shaji N. Karun and produced by M. Rajan for Horizon Entertainments. The film features Jayaram and Kadambari in the lead roles,[1] alongside Siddique, Vineeth, Lakshmi Gopalaswamy in supporting roles. The cinematography was held by Saji Nair and music was composed by Sreevalsan J Menon, while the script was written by Harikrishnan and Sajeev Pazhoor, based on Shaji’s own story.[2] The film was screened in the Dubai International Film Festival.[3] The film released with Auro 3D sound in selected theatres, becoming the third Indian film to employ the technology after Vishwaroopam(Tamil) and 1- Nenokkadine (Telugu).[4]

The film narrates the story of a few high-school friends getting back together after a long time.

Envisaging a luxurious life, Prameela, a theatre artist, marries a director. But all her dreams are shattered when fate makes her the sole breadwinner of her family.

Three distanced, discordant brothers strive to put aside their differences as they reunite after decades at their ancestral home to give their dying mother a peaceful send off, but soon are at loggerheads as the house brings up painful memories of their tumultuous past.

After living 23 years in France, psychiatrist Dr. Roy is called back to his village by Fr Francis, the man who raised him during his childhood. He has no idea why he was asked back, but when he returns he meets his childhood friend Dr Meera Menon who has become a pediatrician, but meeting her again brings him memories of their being in love years earlier.

"Ottamandaram" portrays a small family which consists of a fifteen year old Kala, her sister Neela and Neela’s husband Bharathan. Married for a long time, Neela and Bharathan still have no kids. Neela, driven by the ambition to raise a child, forcefully marries her sister off to Bharathan. Kala becomes pregnant but the things take a turn for the worse when Bharathan dies in an accident. Kala’s subsequent struggle to raise the child forms the core of the film. Based on a real story, Ottamandaram is scripted by renowned media person Ajay Muthana.

The Reporter is an Indian Malayalam mystery thriller-romance film directed by Venugopan. The film stars Kailash, Samuthirakani, Ananya and Abhinaya.

Khaleefa is a socio-political drama that boldly portrays the still prevailing economic inequalities amongst the religious minorities of Kerala.

The film is based on the life of Malayalam poet P. Kunhiraman Nair and is particularly based on his autobiography, Kaviyude Kalpadukal.

Rosy is a woman of enchanting beauty who sings and dances in a 5 star hotel in the town. She happens to be an eyewitness to a murder that happens in the hotel.

The film centers on Chandragiri, a village locality in Kasaragod, Kerala. It focuses on how a school was forced to give up their identity to anti-social thoughts and how a teacher fights against this.

Padmini a traditional married woman who goes to Manali, Himachal Pradesh to meet her car rallyist husband Giri . Rani a North Indian bred troublemaker with feminine qualities running away from a rowdy who has posed threat to her life. As fate would have, they meet together and an illustrious journey starts where they are met with pleasantness, happiness, dread and excitement.

Ramakrishnan, a police constable, is posted as a driver at Elathur women police station. He has to deal with the fiery sub-inspector, Arundhathi Varma, to save his job.

Keerthi aspires to make it big in the stand-up world and is in search of opportunities. Through her act, she narrates the story of her friend, Diya, who was victimised by the patriarchal society.

The film is all about the life of famous biryani chef 'Pandari Pareeth' and this wife Howrah Beevi, discussing all recent problems relating to the marriage and dowry throughout the life.

Ravi, a critic, comes across the writings of K T N Kottoor. Highly inspired by what he reads, he travels to a village in Kerala in search of the author.

Irfan, a young Muslim boy, falls in love with a Hindu girl, Anita who is much older than him. However, when their families oppose their relationship, the duo seeks help from the police.

Sony is a kind man, a good Christian. He is always willing to lend his fellow villagers a helping hand, assist struggling children with their school lessons or organise volunteer activities. When an outcast family is struck by tragedy, he negotiates with the Church to rehabilitate them financially. Sony is not just the connective tissue, but the beating heart of this small Catholic village. Under his genial exterior, however, lurks something dark.

'Viral Sebi' opens a window to the lives of a handful of diverse people, as they journey in the taxi of Sebi. His trip to drop a female passenger to the airport turns into an eventful journey that transcends borders and transforms lives.

Gulikan, born and brought up as a boy in a tribal settlement, has the body and soul of a girl. Dark skinned, fragile, introvert and vulnerable, he struggles to balance his life working as a coolie in the city. Displaced by drought, poverty and addiction, humiliated and abused in a racist society, his tribe is on the run. Udalaazham, the story of a tribal transgender, discusses how color of the skin, not the depth of one’s heart is an approved identity in a ruthless and cold blooded society.

Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.

A group of friends who are doing a diploma course at a Film Institute. As part of their studies, they have to make a movie and the intriguing incidents during their film shoot at the high range form the plot.

Hadiyya is mainly a story of a man and two women from different parts of India. Some interesting common elements, coupled with a few twists and turns in their life bring them together.

Five women and a trans-man who are subjected to body shaming in the name of the size and shape of their breasts look back at society as they begin to embrace themselves.

Ghost-busting is both scary and hilarious in this tale of bhoots on the ground.

Srinivasan is a young architect. He is happy when he gets a good job and a beautiful girlfriend, Tara. But then an accident disfigures him. Tara leaves him and Srinivasan, now sans his confidence, withdraws into his shell. Then he meets the beautiful Ragini who is willing to accept him despite his disfigurement. They get married, but after a while, he begins to doubt her true identity.

Sudharma is a home baker. She is looking for a support to deliver her cakes to clients across the city. When a young girl, Alma, visits her, Sudharma believes that she has come in response to her request. However, the girl has a different story to tell. A short interaction between the two inside the house, which is also Sudharma’s bakery, changes both their lives and they realise how their stories merge to give a new meaning to their existences.