Kazuyoshi Kushida

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

In a Japan of the near future, the government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.

Matsunaga Yasuzaemon was a man called “Electricity Monster”. The post-war recovery and high economic growth serve as the basis for him to achieve the breakup and privatisation of the electricity business. As a follower of Fukuzawa Yukichi, he inherited the spirit of independence, self-respect and the people. He rose up alone from the ruins of the war. It was the fight of an unconventional, stubborn old man over 70 with an indomitable will. Minister of Trade and Industry Ikeda Hayato admired Matsunaga like a father while Prime Ministers Yoshida Shigeru and Konoe Fumimaro, Shirasu Jiro (Takagawa Yuya) and others were in awe of his unfathomable passion.

A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to medical school. There he catches the eye of a fellow student, but it's another who becomes his obsession: the dead woman on the cadaver table.

When radicals from Japan's Red Army took a woman hostage in the resort town of Karuizawa, Nagano in 1972, Officer Atsuyuki Sassa was put in charge of diffusing the situation. But the task had its challenges. Upon arriving in mountainous Nagano, Sassa had to compete with freezing winter temperatures, conflicting opinions between the Tokyo Metropolitan Police and the Nagano Prefectural Police, as well as public opinion to gain entrance to the lodge that held the single woman captive.

Four sexually hungry high school students preparing for their university entrance exams meet up with an inebriated teacher singing bawdy drinking songs. This encounter sets them on a less than academic path.

A retired samurai must redeem himself for a crime that he committed earlier in his life.

In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.

A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan like there is no tomorrow.

Naruse Uta is a "unique" 13 year old child. She possessed the talent to read sheet music even before she could speak, but has now come to the point where she hates playing the piano. Her father was also a piano virtuoso, but mysteriously disappeared from her life at a young age. Because of her father's disappearance Uta's mother had to move out of their posh home and into a far modest working class neighborhood. In this working class neighborhood there is a local grocer. The grocer's son Kikuna Oto happens to be a budding musician, but lacks the drive to truly succeed. That is until Uta Naruse comes into his life...

Writer Jippensha Ikku hears Tsutaya Juzaburo, a wholesaler of picture books, mutter on his deathbed, "Where has Sharaku gone?" He begins to figure out the true identity of Sharaku, who disappeared after about 150 portraits of actors he created came out.

Set in Shanghai during the turbulent years leading up to and through World War II, the film follows a group of Japanese jazz musicians and performers struggling to hold onto music, love, and friendship amid political unrest and war. As censorship, nationalism, and conflict reshape the city, their once-vibrant nightlife gradually gives way to disillusionment, separation, and loss.

Riko Narumi plays an unpopular idol who in an attempt to boost her faltering career becomes police chief for a day. During the day a robbery occurs at a convenience store and instead of letting a real police chief deal with the robbery she decides to take the matter into her own hands.

Office drone Arisu finds his own life imitating the mystery novels of his favourite writer when his wife disappears and he finds he is being pursued by a sinister figure in a rabbit suit.

Set in a small Nagano village in the 1930s, the film follows Hanji, a young boy captivated by a local kabuki performance. Inspired by Yukio, Hanji learns kabuki with Utako. As they grow, they become skilled actors, performing in a final kabuki before World War II. After the war, Hanji returns to revive kabuki and restore the community’s spirit. In the 1980s, as he nears death, the villagers organise a final performance in his honour, where he performs “Tenryu Koishibuki” for Yukio.

A popular poet, Goku, becomes depressed when his editor jokingly suggests that he is a sell-out.

A young man reaches adolescence and escapes the nunnery where he survived a tortured upbringing; the world outside suddenly seems even more frightening than before.

A former idol becomes a teacher at the high school she graduated from, but her new career is threatened by an expose book her ex-manager is planning to publish.