Vasil Vasilev-Zueka

This is the story of Mityo and his son Vasko, who live in a poor area, near to the Bulgarian-Turkish-Greek Border. Mityo had lost everything that has mattered to him – his wife, his work, the confidence of his son, Vasko. In order to get him back, Mityo has to find forgiveness and pay for his sin, done 25 years ago.

One night – seemingly just like any other. Two police officers find the body of the well-known drug addict Lazar near the railroad tracks in Sofia. This is how the night of 9 November, 2019 begins – 30 years after the fall of the Berlin Wall and the regime change in Bulgaria. Three teams of police officers are patrolling the streets of Sofia, doing their job as they believe is right, while facing the challenges posed by contemporary Bulgarian reality.

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

A police inspector frames an innocent boy as terrorist, but is later forced to conspire with his victim as both create an intricate web of lies to steal money from the incompetent government bodies.

A road movie set in present day Bulgaria, a country remains optimistic, mainly because all the realists and pessimists have left. At a meeting with his banker, a small business owner, who drives a cab to make ends meet, discovers the bribe he will have to pay to get a loan has doubled. The ethics board that reviewed his complaint about extortion now wants its share of the action. At his wit's end, he shoots the banker and then himself. The incident sparks national debate on talk radio about how despair has taken over civil society. Meanwhile, six taxi drivers and their passengers move through the night, each in hope of finding a brighter way forward.

A retired opera female singer terrorizes people and animals because of her love for a 20-year old boy (in the days of the Total Solar Eclipse 1999).

Fleeing an abusive relationship, Mila, a teen prostitute, finds herself in a border town, pregnant, alone, and, to her surprise, welcome. The remote village is on a marijuana plantation run by a group of elderly men and women. Not having known much kindness, she goes into emotional hiding, but by the time the baby is born she has a new life and love. Her past, however, is not far behind

There is a small frontier post. A soldier abiding by the rules of the system gradually turns into a murderer.

Two friends (Katarina Didaskalou, Stefan Danailov) are separated when their village is divided by Communism, but they meet again 40 years later and begin having an affair.

A couple of former filmmakers travel in an old camper van, along with some old movies, trying to move the past into the present, hoping that memories can bring back old hopes and dreams. They travel around towns and villages, presenting world and native examples in the art of film - The Magnificent Seven, The Birds, Apocalypse Now, New Cinema Paradiso, Love is Madness, The Goat's Horn, Every Mile. The idea is to make the past present with... films.

Pavel is an amiable loser, teaching at a film institute. He sells out his family apartment and accommodates his mother in a residence for elderly people to start filming his first picture. The bank, however, he deposits his money in, goes bankrupt and he can't afford to pay back the mob the loan taken to buy negative film stock. As for his family, the relations have for a long time turned into series of stupid and ridiculous misunderstandings. His wife cuckolds him, all his attempts to tale up with his son fail. The friendship with a neighbor boy ends in a classic knockout. A dubious partnership with an old colleague from the movie guild ends in a total fiasco before the Mafia. The only place Pavel feels comfortable is the student's cinema hall where old picture are screened. He often fancies himself a film character. Pavel starts behaving as such and gradually loses any sense of reality. When grasping that reality has rules of its own, it is already too late.