Shah Nawaz

A class division melodrama centred on Mehtab’s histrionics. Kiran (Mehtab) is the daughter of a courtesan. Her lowly origins first destroy her marriage and then threaten to jeopardise her son Prakash’s (Singh) ambitions. She is blackmailed for keeping her son’s parentage a secret from him, forcing her to return to her ancestral profession. The film was a commercial success.

The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.

An ego clash between two friends, Madhav Pandit and Pande, over cultural differences shatters their families' happiness, leading to broken engagements, forced marriages, and a daughter's disappearance, all designed to teach Pandit a crucial lesson.

A quarrel at a birthday party ends in a guest’s death, and the son takes the blame to protect his father. Fleeing to the city, he struggles until a street dancer helps him, and the two grow close. A chance encounter between the dancer and the man’s sister sets off events involving love, misunderstandings, and the eventual unveiling of the truth.

Beena, a young village girl and Nirmal love each other. When Suresh decides to create rift between them, things begin to challenge both Beena and Nirmal.

First film for two legends Ahmad Rushdi and Lehri.

Sassi faces hardships and difficulties while seeking his beloved husband, who was separated from her by the rivals.

A chance encounter between a teen pickpocket and one of his victims changes his plans to escape his dreary life.

Rajan falls for the orphan Pratima, unaware of her mysterious past tied to a haunting statue. As his family pushes for a wealthy match, the truth behind the statue, a dacoit's rescue, and a hidden murder comes to light, exposing a villain and revealing Pratima's true heritage.

Hamari Baat is a Bollywood film. It was released in 1943.

A former theater owner and his crippled daughter live in poverty until a chance encounter with a young pickpocket brings romance for the petty criminal and daughter as well as a chance by the father to get back at the villainous new theater owner who ousted him from the business years before.

A disgraced widow is forced to work as a maid for her fatherless child.

Premchand, an idealistic newspaper editor, is in love with Asha, an orphan he raised. Asha, however, falls for Puran, Premchand's radical star reporter. When Premchand compromises his journalistic ideals by making a deal with a corrupt businessman, Puran, true to his principles, quits and starts his own newspaper, "Naya Sansar." This act prompts Premchand to realize his error, return to his progressive stance, and ultimately bless the union of Asha and Puran.

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An evil minister lures local maidens to an abandoned fort where he uses and then kills them, leaving the villagers panic stricken as they try to unravel the mystery of the disappearances. To their horror they find the dead body of one of the girls and demand that the king do something about it. When the minister places the blame on an innocent young man, a masked avenger appears to help seek the truth behind the killings.

Two half-brothers, Mahesh and Ramesh, whose paths cross with Geeta, a spirited village girl. As both develop feelings for her, misunderstandings, hidden identities, and emotional tensions begin to surface, setting the stage for a heartfelt romantic drama.

Malik Ayaz, a general in the army of Sultan Mahmud of Ghazni: Ayaz (1960)was a landmark movie in 2 ways-its story was based on Muslim historical background, story of Mahmood Ghazanvi(971-1030A.D.)and his companion Ayaz (subject of this movie).Also this movie's film songs were super-hit due to the superb music of Khurshid Anwar.

The Urdu film Himmat (1959) was directed by Amin Malik.