Gérard Kikoïne

Between the first stripping of Brigitte Bardot, at the end of the 1950s, and the beginning of the 1980s, French cinema developed a certain taste for eroticism and pornography.

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"120 beats per minute—at this tempo, twice as fast as the human heartbeat, disco music gets the blood pumping and revs up the libido. In the 1970s, when eroticism took over the silver screen and sex ceased to be a purely private matter, disco became the soundtrack of the sexual revolution. A film about the surprising connections between disco and pornography—and how erotic content increasingly found its way into pop culture.

Anthony Perkins’ face and name remain familiar to a younger 21st century audience, fond of giallo and slashers. But he has long struggled in the shadow of his most famous character, Norman Bates – the young man in Alfred Hitchcock’s masterpiece, “Psycho". We also discover that he was an amazing crooner. His greatest success, “Moonlight Swim”, will be taken up by Elvis Presley. He even directed “Psycho III” – proof of his reconciliation with his favorite bogeyman.

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One drunk explains to another how he had to give up his work as a gynecologist because women kept throwing themselves at him.

Everything starts with a kiss on a bridge, between a woman engaged in a 10-year relationship with a man and an American artist passing through Paris. The two women are meeting after some time apart, and they begin a passionate relationship.