R. Muthuraman

When a dancer makes a king realise the insignificance of the worldly pleasures, he decides to devote his life to the Almighty and starts reciting tales and songs of His greatness.

Ramesh joins a businessman's factory to eradicate irregularity and corruption, but gets dismissed due to personal reasons. To make matters worse, he is framed for murder when the industrialist dies.

Rajaraja Cholan is a 1973 Tamil film about the life of the Chola king Rajaraja Chola.

The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.

Kodimalar is a 1966 Indian Tamil language film, directed by C. V. Sridhar and produced by S. L. Nahaatha and A. K. Balasubramanian. The film stars R. Muthuraman, C. R. Vijayakumari, A. V. M. Rajan, Kanchana and Nagesh in lead roles. The film had musical score by MS Viswanathan.

Kalai Kovil (Temple of Art) is a 1964 Indian Tamil-language film, directed by C. V. Sridhar and produced by Visu and Ganga. The film stars S. V. Subbaiah, Chandrakantha, R. Muthuraman and Rajasree in lead roles. The film had musical score by Viswanathan–Ramamoorthy. The film was released on 25 September 1964.

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

When Vimala’s wayward lover Rajnikant is killed by her brother Mohan, the brother is sheltered from the police by the victim’s blind father, Major Chandrakanth. The major’s elder son, the zealous cop Srikanth, is in charge of finding Mohan, whom he finally arrests in his own house. Realising that his father knowingly sheltered a murder suspect, Srikanth arrests the blind old man as well.

Sankar is an ambitious man who wants to make it big through fair means. However, the friend he works under, Sampath, begins to use corrupt measures to make them rich.

Malaikottai ostracises his wife and blames her for not being chaste. After she gets thrown out of the village, she takes her son and decides to give him a good education.

Identical twins Vani and Rani are separated at birth. One is tortured by her abusive aunt while the other grows up as a street performer. However, their lives change forever when they swap places. A remake of 1972 Hindi film Seeta Aur Geeta.

The role played by Major Sundarrajan becomes very attached to his four elephants after they save his life. His wife, however, fears for her child and tells him that he must choose between the animals and his family.

No description available.

Kannan is the adopted son of a retired Captain and Sundaram is the biological son. Mallika is the niece of this rich man, who is engaged, at birth to Sundaram. Mallika is secretly in love with Kannan. Malathi lost her father in an accident; she now lives with the widow as her adopted daughter.

Kadiraesan studies hard and fulfils his mother's dream of becoming a college professor. He tries to reform his friend but gets blamed for the murder of a student instead.

The atrocities of a landlord lead one brother to the life of a dacoit while the younger brother becomes a police officer. However, things take a turn when they are pitted against each other.

Kalpana is shattered when Balan betrays her and tries to kill herself. She is saved by a doctor who gets her married to his brother but problems arise when Balan returns to Kalpana.

Brave and loyal warrior-archer Karna joins the Kauravas to battle the Pandavas in the Kurukshetra.

Adaikalam, an accused, who has been imprisoned for many years helps two other men to escape from jail. They decide to mingle with the devotees travelling to Sabarimala in order to trick the police.

Manickam, whose father works for the landlord, is always at loggerheads with the landlord's son due to his cruel ways. Manickam also forcibly marries the landlord's daughter after winning a challenge.

After Kamal's friends accidentally kill a female serpent, another female serpent follows them and kills them one-by-one, before disguising herself into a human being to kill Kamal.

Ashok is in love with his boss' daughter, Nirmala. To convince Viswanathan, he seeks his best friend Vasu's help, who disguises as his father.

Rangan (M.G.R) the very loving brother of Thangam, though only a cart puller, dreams of educating his sister, to become a doctor. So, when he learns of his sister's love with Murali (Muthuraman), a doctor, he gets them married, in a grand manner. Murali's mother, after their marriage, learns that Thangam is the daughter of Velappan, her husband's (mill owner Karunakaran) murderer. Thangam is thrown out of the house. Rangan finds out that his father, who is still languishing in jail, had been falsely implicated. He vows to bring the real culprits to book. His fiancé Valli (Jayalalitha), helps him nab the murderers. It is proved at last that justice always wins.

The arrival of Bama, a famous actress, in their neighborhood excites the daughters-in-law of Ethiriraj. They invite her to their house and begin to spend lavishly to showcase their affluence.

Ramu, a lyricist, struggles to find a job and a husband for his sister Sita. He tries to gain recognition; however, difficulties arise when his friend takes all the credit.

Penn Deivam is a 1970 Indian Tamil-language drama film, directed by M. A. Thirumugam and produced by Sandow M. M. A. Chinnappa Thevar. The film stars Jaishankar, Padmini, Lakshmi, R. Muthuraman and Major Sundarrajan. The film had musical score by V. Kumar.

The Hindu god Shiva gives a sacred mango fruit, brought by the sage Narada, to his elder son Vinayaka as a prize for outsmarting his younger brother Muruga in a competition. Angry with his father, Muruga leaves home for Palani. He meets Avvaiyar, one of his devotees, along the way. Despite her attempts to convince Muruga to return to Mount Kailash, he remains adamant about his decision to leave his family. His mother, the goddess Parvati, arrives there and tells the stories of four of Shiva's divine games to calm Muruga.

At the request of a wealthy man, a courtesan agrees to help heal his mentally disturbed son by pretending to be his wife. Her efforts only earn her abuse and wrath at the hands of most family members.

A man saved from death by God and told how God help others.

Paadhai Theriyudhu Paar is a 1960 Indian Tamil-language drama film directed by Nemai Ghosh. The film stars K. Vijayan and S. V. Subbaiah in the lead roles. The film had musical score by M. B. Sreenivasan. The film won the National Film Award for Best Feature Film in Tamil along with Kalathur Kannamma.

When a mix-up at birth leaves a wealthy zamindar raising a child that's not his, the secret shatters families, friendships, and futures. As love blossoms and pride blinds, one daughter’s ultimate sacrifice may be the only path to redemption.

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

Raghu takes care of his friend Peter and all his responsibilities when he suffers a heart attack. While struggling to make ends meet, Raghu falls in love with Rajai, his landlord's daughter.

A man experiences culture shock after arriving in Madras for the first time.

A young man Raghu sets up an explosive in a railway track to blow up a train. Raghu is a freedom fighter who wants to destroy the train in which British officers are travelling. He returns home after his successful attempt and is slammed by his rich father who is an ardent supporter of the British. Raghu insists that his country and its freedom are more important than anything. When police comes to arrest Raghu, his father hands him to them but Raghu's pregnant wife Parvati diverts the police and lets her husband escape. Raghu escapes in his bike and meets with an accident and is declared dead. Parvati gives birth to a son named Ashok and ten years pass by. She is away from her father-in-law and still in a belief that her husband is alive and shall come to them one day.

Sundaram, a hotel employee, dreams of becoming an actor. He meets Vijaya, who admires his innocence and sincerity, and falls in love with her. But Raghavan, Sundaram's best friend, hides the fact that he is engaged to Vijaya.

A strict disciplinarian father pushes his sons away with his rigid control, while his devoted wife works to bring the family back together.

Indian film starring Jaishankar, Manorama and Muthuraman

A young man collaborates with his cousin and friend to steal money from his stingy stepmother.

Nirai Kudam (Full Pitcher) is a 1969 Indian Tamil film, directed by Muktha Srinivasan and produced by V. Ramasamy under Muktha Films banner. The film stars Sivaji Ganesan, Vanisree in the lead roles, and had musical score by V. Kumar.

Maadhu, an orphan who lives under the staircase of a building, runs errands for everyone who lives there in return for shelter and food. He is exploited by everyone who lives there until he falls for a girl who moves into the building.

The diwan of Vasanthapuri grows tyrannical and makes a deal with the Portuguese so that he can become the new king and marry the princess, who is in love with Bharath.

A rich farmer makes his married children and their spouses live in his house to take care of his business. Problems arise when one of them starts to squander his hard-earned money.

Thanigachalam manages to save Meena from committing suicide. Meena reminds him of his late daughter Uma. Later, Meena tries her best to console Saker who is mourning Uma's death.

Vaira Nenjam is a 1975 Indian Tamil film, directed and produced by C. V. Sridhar. The film stars Sivaji Ganesan, Padmapriya, R. Muthuraman and K. Balaji in lead roles. The film had musical score by M. S. Viswanathan

Mary, a nurse in a hospital, narrates the tale of how Mother Mary helped Kamakshi and her son Sundaram in Velankanni village and turned an atheist landlord to a believer by appearing before him.

Pazhani is a 1965 Indian Tamil-language drama film directed and Screenplay by A. Bhimsingh and produced by A. P. Chinnappan. The film dialogue were written by M. S. Solaimani and story written by G. V. Iyer respectively. . The film features Sivaji Ganesan played titular role with other prominent actors S. S. Rajendran, R. Muthuraman, T. S. Balaiah and M. R. Radha in lead with Devika, Nagesh, Pushpalatha and C. Lakshmi Rajyam played pivotal role. The film had musical score by Viswanathan–Ramamoorthy and was released on 14 January 1965.

An honest police constable has a son (R. Muthuraman) and a daughter (C. R. Vijayakumari). Balaji, son of a rich affluent person is a friend of Muthuraman who often visit his house. Balaji falls in love with Vijaykumari to which she equally reciprocates. She meets Balaji secretly without the knowledge of both her father and brother. One day, Balaji's notorious friends commit a murder and they fled the scene using Balaji's car. At the same point of time, Balaji meets his love in a temple and promises to marry her. Meanwhile, Balaji's father plans to marry his son to one of this relative. Balaji initially discards this proposal but accepts after coming to know that he will be deprived of his father's wealth if he doesn't marry the girl arranged by his father. Vijaykumari is shocked to hear this and finally tells her relationship with Balaji to her parents.

Veettuku Veedu is a 1970 Indian Tamil-language comedy film, directed by C. V. Rajendran and produced by S. Suryaprakash, Rajan, R. Renganathan and R. Parthasarathy. The film's script was written by Chitralaya Gopu. It stars Jaishankar, Lakshmi, R. Muthuraman, Vennira Aadai Nirmala and Nagesh in lead roles, with V. K. Ramasamy and Major Sundararajan playing supporting roles. Soundtrack was composed by M. S. Viswanathan. The 2001 Tamil film Viswanathan Ramamoorthy is said to be based on this film. Veettuku Veedu is based on the play Thikku Theriyatha Veettil.

No description available.

No description available.

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.

A young attractive and unemployed woman Seetha(Devika) taking up stage acting as a career. A wealthy man Kannabiran(K. Balaji) is after her, and uses his henchman(R. S. Manohar) to kidnap her. During the attempt, Rajan (Gemini Ganesan) and his clever dog Honey rescue her and the two fall in love. Rajan is the son of a Zamindar (S. V. Ranga Rao), who has a poor opinion of Seetha. However, after many hurdles, the two marry. The director of Seetha's stage troupe Gopal (R. Muthuraman) too is in love with her. But, she never responds. When Kannabiran is murdered. Gopal is arrested. He has an alibi - on the night of the murder, a young woman stayed with him in his house, but then he does not disclose her identity. The woman turns out to be Seetha and she gives them the evidence. One of the members of the jury is her father-in-law and complications follow with the husband leaving her and wishing to marry again. However, the truth comes out and the family is united in the end.

Mahakavi Kalidas Directed by R. R. Chandran. Princess Vidyotama vows to marry the man who defeats her in debate, but she wins every time. Through a ruse, her spurned suitors manage to marry the princess to the simpleminded Kalidas. Ashamed of his ignorance, Kalidas becomes a seeker of knowledge and is bestowed with wisdom by the goddess Kali. This moving story of love and enlightenment is based on legends surrounding real-life poet Mahakavi Kalidas.

A happy-go-lucky guy falls in love with his professor's daughter. Although his brother supports him, his financial situation forces him to make many sacrifices in life.