Živojin Pavlović

One week in life of Branimir Mitrovic "Floyd", a young rally driver from the National class (up to 785cc), dreaming of promotion to the higher category. He lives a carefree life of a Belgrade dandy boy, neglecting his girlfriend, avoiding his draft calls, and refusing to deal with any life responsibility in general. The decisive race on Saturday is only what he cares about.

A Serbian engineer falls for a younger woman, but he is inept at courtship.

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

During the Yugoslav break-up, Federal Army officer is fed up with war and takes some leave in Belgrade. However, it turns out that he is less haunted by war horrors than with some sentimental skeletons in the closet. He meets his former comrade and best friend who is AWOL, but can't report him because he had an affair with his wife.

Gazija are military men who patrol the boundaries of the Ottoman Empire in mid-18th century. One such man has trouble reconciling times of peace with his Gazija standing.