Lydia Lunch

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

Young Jeremiah lives in a stable environment with loving foster parents until the day his troubled mother, Sarah, returns to claim him. Jeremiah becomes swept up in his mother's dangerous world of drugs, seedy hotels, strip joints and revolving lovers. Salvation comes in the form of the boy's ultrareligious grandparents, but soon Jeremiah's mother returns. Maternal love binds the pair together on the road until Sarah's desperate and depraved lifestyle finally consumes her.

Penn Jillette and Teller are called upon to display their unique brand of humor to save civilization from strange extraterrestrial beings who have invaded Earth and who, disgruntled and bored with the mundane nature of human life, threaten to blow up the planet unless someone gives them a good reason not to.

A love story of two women who meet up in their late forties and attempt to retrieve the romance they had in their youth.

Mutantes sheds light on a feminism that was little talked about in France. This documentary comprises of a series of interviews conducted in the USA, Paris and Barcelona, and documents from the archives about the political action of sex workers, queer activists and post-pornographic performances.

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

Lazlo Pearlman is a conceptual artist, an activist capable of dinamiting our prejudices about sex and identity. What it seems to be a reflexion about lies in our sexual lives suddenly turns out to be a sharp discourse about gender theory and the continuous evolution of our identitiy. Fake Orgasm, first part of an ambitious multidisciplinary project about sexuality and identity, hits our minds and forces a change of perspective to reconsider some concepts we've been educated with and grown up with.

This experimental short consists of eight unedited rolls of super-8 film, each of which profiles an individual woman in real time. The women engage in everyday behaviour, such as playing pinball or reading a letter aloud.

Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.

Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.

An innocent youth is abducted and dragged down into a dystopian nightmare where teenage Lydia Lunch throws him into the Black Box.

The film documents the beginning of the punk rock movement in New York City at CBGB's, a punk night club, and the lifestyle that revolves around this scene. It presents a sometimes shocking look at the attitudes and motivations behind the movement through interviews with outspoken club-goers and band members of the Ramones, Richard Hell and the Voidoids, and the Dead Boys.

The X-rated cartoon animations of Emmy award winning director/animator Merrill Aldighieri add a comical edge to this intense documentary with Lydia Lunch, a second collaboration after their first success, ""The Gun is Loaded."" Highlights from 5 concerts are accompanied by a live music score performed by composer JOE BUDENHOLZER & horn player TERRY EDWARDS (from MADNESS) during their travels to MARSEILLE, LYON, EVREUX, & NANTES. Bonus clips include rare on-the road interview footage with Lydia and composer Joe B., and an exclusive reading done at the Père Lachaise Cemetary.

The Offenders is a raucous punk satire of the teenager-leaves-home genre. As in the detached and aloof manner of Andy Warhol's underground films, it tells an amusingly deadpan story centred on the kidnapping of a young woman named Laura and her abusive, controlling father. An out-of-control gang of punk hoodlums flesh out the cast.

The first career-spanning documentary retrospective of Lydia Lunch's confrontational, acerbic and always electric artistry. As New York City's preeminent No Wave icon from the late 70's, Lunch has forged a lifetime of music and spoken word performance devoted to the utter right of any woman to indulge, seek pleasure, and to say "fuck you!" as loud as any man. In this time of endless attacks on women this is a rallying cry to acknowledge the only thing that is going to bring us together - ART...as the universal salve to all of our traumas.

Punk icons Lydia Lunch and Henry Rollins star in this cult drama about a pregnant pianist named Hedda whose marriage to husband Neal (Don Bajema) hits the skids with the sudden appearance of a mysterious stranger.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

Even in a postapocalyptic future in which Earth has been colonized by aliens, humans need hearts to live, so when an orphan boy's sister needs a new one, he'll go to just about any length to get it in this "illustrated film" from Matt Pizzolo.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

Maria Beatty's documentary exploring the insights and influences of the American Beat Poets. The film conveys their consciousness and sensibility through interviews with William Burroughs, Allen Ginsberg, Diane Di Prima, among others. Also weaves in additional commentary from contemporary musicians, poets and writers such as Marianne Faithfull, Richard Hell, Lydia Lunch and Henry Rollins. Also expands upon how the poets reached new levels of creativity and inspired social change.

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.

Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.

Lydia Lunch and Penn & Teller jazz up the Jenkins' family picnic home movie, turning it into a backyard SOV slasher.

A fringe film collective of edge-dwelling New York nihilist punks and crazies whose main pathological protagonist triumvirate were voyeur smackhead Richard Kern, pouting artpunk Nick Zedd and damaged psychescream queen Lydia Lunch.

No description available.

Spit and Ashes is a reimagining of the historical violence waged against women by patriarchal forces in the name of religion, medicine and family. The High Priestess embodies the wild, sexual and grotesque - the un-tamable hunger of female desire and the ultimate threat to male power. The Midwife is the spirit of all women who sought knowledge and agency over their own bodies and paid for their agency with their lives. Through a series of erotic and brutal rituals these women come together to reclaim their bodies and prepare for the fight ahead.

Die Haut filmed live at Tempodrom, Berlin, August 1992. Featuring guest vocalists Alexander Hacke, Anita Lane, Blixa Bargeld, Kid Congo Powers, Lydia Lunch and Nick Cave.

My Lover the Killer is the former title of the album by Lydia Lunch & Marc Hurtado released in 2016. The music, first languorous then abrasive, accompanies the verbal flow of the transgressive poetess who comes back to an intimate and violently tragic episode of her own life: her love and death story with Johnny O’Kane. With her long-time collaborator, Lydia Lunch, face to face with the camera, transforms this naked scene full of troubled anger into a deep dark confession. Hurtado’s images are saturated, grainy, willingly experimental and clash with those of an archive of furious performances. Just like the one who seeks to avoid taking part in her own prophecy.

This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.

Beauty Becomes the Beast describes a random access world mediated by TV images and shards of popular culture. The film features a powerful performance by Lydia Lunch regressing from adulthood to childhood, hinting at a sexually abusive past. It concerns itself with the position of woman as subject and the way women experience patriarchal law and the heterosexual order.

A noir mostly set in a bathroom stall and stairwell. A private dick trapped in a tight spot. A narrator searching for a way out of the story.

Nares mocks up Ancient Rome by shooting in faux-classical sites including Tribeca's American Thread Building, where a decrepit penthouse loft with a peeling-paint dome serves as an echoey stand-in for the imperial palace. The latter location required ingenuity: Posing as potential renters, Nares and associates asked the manager to show them the apartment, then unlocked the windows on the way out; a few hours later, they broke back into the space, full cast and crew in tow, to shoot the necessary scenes.

A documentary about composer/producer/performer JG Thirlwell and his musical alter-egos, including Foetus, Steroid Maximus and Manorexia. Featuring interviews with Thirlwell, Matt Johnson (The The), Alex Hacke (Neubauten), Michael Gira (Swans), Richard Kern, Lydia Lunch and more.

Penn & Teller's Cruel Tricks for Dear Friends is a straight-to-video release by magicians Penn & Teller on Lorimar Home Video in 1987. The tape features seven different swindles or tricks that the home viewer can use to fool their friends. The tape was a companion piece to their best selling book of the same name. All of the tricks involve using a portion of the videotape.

Shot entirely in Ireland and England on film stolen by Nick Zedd, the movie offers a rare glimpse into the unique private world of Lydia Lunch; The footage "narrated" by a break-up cassette sent from Lunch to Zedd.

Haxan Films-produced documentary on Richard Kern's work around 1997. Footage from his photo sessions, interviews with Kern and his models, etc. Features associates such as Lydia Lunch, Beth B and more.

Complete strangers meet in a room to act out their sexual desires.

Discover the New York underground scene during the 80s and throw yourself into an exciting, anarchic and repulsive world that you won't forget.

Lydia Lunch live session 1982

For the End of Time is a film about the mind… a film about the body and our inability to merge these two entities which are shaping a form of civilization known under the term “human”. A human is not a being unto itself. A human is a construct… a civilization-related coding of a certain precise time and place. A human is not a uniform creature. A human is a split between many things… but the worst is the split carried inside… that between the mind and the body… How can we feel others, if the only universe that an individual truly lives in and feels is his or her own universe? How can you feel for the other… How can the other feel for you? Only as much as the pain of the other resembles yours – thus as a reminiscence of one’s own pain. This is the only way. For the End of Time is a film on a quest… for the eternal longing “to find the real thing.

One of Richard Kern’s most ambitious works is Fingered (1986), whose sarcastic disclaimer says “although it is not our sole intention to shock, insult, or irritate, you have been warned that we are catering only to our own preferences.” The film came about following the criticism of Kern and Lydia Lunch's first collaborative venture: The Right Side of My Brain (1984).

Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).

This DVD features 13 provocative short films by Richard Kern. Color & B&W film shorts with Lydia Lunch, Henry Rollins and more. Includes Death Valley 69 , The Right Side Of My Brain, You Killed Me First, The Bitches, The Sewing Circle, X is Y, Fingered, Horoscope, Submit to Me Now, My Nightmare, Manhattan Loves Suicides, Submit to Me, and Evil Cameraman. Music from Sonic Youth, Cop Shoot Cop, J.G. Thirwell, Butthole Surfers.