Bryan Beller

The rock/fusion power trio The Aristocrats featuring Guthrie Govan on guitar, Bryan Beller on bass, and Marco Minnemann on drums will release the live CD/DVD Culture Clash Live, on January 20, 2015. Captured in six different locations in five countries on three different continents during the band s 100+ show Culture Clash World Tour, it showcases The Aristocrats in full flight: Virtuosic, melodic, spontaneous, outrageous, and still having more fun than any group of world touring muzos has any right to have.

JOE SATRIANI, while perhaps best known for “Surfin’ With The Alien” has had an incredibly long and diverse career. His guitar heroics have found him playing with bands like Deep Purple and Chickenfoot. Having taught modern masters like Steve Vai and Kirk Hammet Joe Satriani is perhaps one of the most influential guitar players in the world. He should be a pleasure watch bring down the house at Hellfest 2016!

Culture Clash is the second studio album by The Aristocrats, released on July 16, 2013. Alongside a standard CD edition, there was also a deluxe edition available, with a bonus DVD called Accept the Mystery: The Making of The Aristocrats' "Culture Clash", including studio footage and interviews. In its first week of release, the album reached number 8 on the Billboard Contemporary Jazz albums chart and number 16 on the Jazz Albums chart. On September 24, 2013, a double vinyl edition was released, pressing limited to 1,000 copies.

Taken from a two hour and 40 minute sold out show recorded at The State theatre in Minneapolis, WHERE THE WILD THINGS ARE is yet another live showcase of meticulously mapped Steve Vai compositions. Much of the material is new, and tested out in front of an unfamiliar but eager audience, with Vai exercising his chops to the limits.

Live favourites selected delectably with seldom-played gems from Mike's catalogue to create a truly astonishing evening.

Renowned rock-fusion trio The Aristocrats are excited to reveal their first studio album in five years: DUCK. The trademark Aristocratic musical mayhem is rowdier than ever, but the band’s fifth studio album is truly like nothing else in their catalogue. Of the inspiration for DUCK, The Aristocrats collectively explained, “It is the story of a web-footed Antarctic Island native fleeing a penguin policeman all the way to New York City… where considerable misadventure and danger await.” Of its genesis, they elaborated, “We’ve always been writing with a storytelling aspect in mind, and our live shows always include our stories behind the songs… But the stories had mainly been about us. Then Marco came into the studio with a song about a duck, and we all looked at each other and said, ‘What if all of stories for the songs on this album… happened to a duck? What’s that story about?’ And suddenly we had a concept album on our hands.”

Boing, We'll Do It Live! is the first live album of The Aristocrats, released on December 10, 2012. Footage and sound for this release were recorded in two concerts held at Alvas Showroom in Los Angeles, California. During those concerts the band played material from their debut album as well as songs from each band members' solo projects. The album was released on double-CD and DVD. The deluxe edition consists of both the DVD and the two CDs including two bonus tracks not featured on standard editions.

DELUXE EDITION contains bonus DVD with interviews, behind the scenes footage, studio performances, and a 12 page booklet with additional artwork for each track.

Fresh off the wildly successful Culture Clash world tour, The Aristocrats proceeded to rewrite their own rules for their third studio album, Tres Caballeros, which was released in late June of 2015. After two fairly raw trio albums, the band set up camp in February of 2015 at legendary Sunset Sound studios in Hollywood, CA, where Led Zeppelin, The Rolling Stones and Van Halen all recorded landmark albums. The result: Nine new compositions of greater sonic depth and breadth than ever before, with unique textures and lush layering augmenting the band’s preternatural ability to improvise both individually and as a group at the highest levels possible. But not to worry – it was all still tempered with a steadfast refusal to take themselves too seriously, and The Aristocrats were still having more fun than a fusion band has any right to have.