Jim Findlay

Anna, a middle-aged Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting one another’s needs. Alongside her sister Emily and her father, they must confront challenging questions about the future, but Anna remains determined to build a life where all of them can thrive.

In the illustrious tradition of on-the-road, rambler cinema, Welcome to Nowhere (Bullet Hole Road) is a fresh, experimental take. Heavily reliant on motion graphics animation, director William Cusick charts the surreal encounters of five overlapping strangers in the American desert. The spirit calls to mind David Lynch, and more recently Calvin Lee Reeder and Cory McAbee, but it never feels derivative, it always brings fresh light...Cinema often loses power in clarity, in a strict adherence to narrative logic. The unwieldy and fractured nature of Welcome To Nowhere offers more than a story, here, all that really matters is the weariness of the ramble. It's hazy and sweaty and sketched. "You know how some pills you take are clear, but on the inside are all these little balls of shit that are really the pill?" That's where nowhere is. This used to be the stuff of cult classics.

To mark the conclusion of their "Third World Week" celebration, a cricket team in a small English village invites a black cricket team from South London to a charity game with comical results.

A man's recurring sexual fantasies about a mermaid tear his world apart and reveal disturbing insights into the object of his desire.