Paul Schrader

Paul Schrader

Writing

July 22, 1946
Grand Rapids, Michigan, USA
40 movies

Biography

Paul Joseph Schrader (/ˈʃreɪdər/; born July 22, 1946) is an American screenwriter, film director, and film critic. He first became known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also worked extensively as a director: his 23 films include Blue Collar (1978), Hardcore (1979), American Gigolo (19...

🎬 Paul Schrader's Filmography

40 movies sorted by popularity

Tales from the Script
6.6

Shane Black ("Lethal Weapon"), John Carpenter ("Halloween"), Frank Darabont ("The Shawshank Redemption"), William Goldman ("The Princess Bride"), Paul Schrader ("Taxi Driver"), and dozens of other Hollywood screenwriters share hilarious anecdotes and penetrating insights in "Tales from the Script," the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg. The film was produced in tandem with the upcoming HarperCollins book of the same name.

Tales from the Script

2009
What She Said: The Art of Pauline Kael
6.7

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

What She Said: The Art of Pauline Kael

2019
Paul Schrader | MovieMind AI