Frederick O'Neal

A female doctor in the Congo is torn between two loves.

Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, she has fallen in love with a young white doctor, who knows nothing about her black heritage.

Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.

As Kenya's Mau Mau uprising tears the country apart, former childhood friends Kimani (Sidney Poitier), a native, and Peter (Rock Hudson), a British colonist, find themselves on opposite sides of the struggle in this provocative drama. Though each is devoted to his cause, both wish for a more moderate path -- but their hopes for a peaceful resolution are thwarted by rage, colonial arrogance and escalating violence on both sides.

After African-American teenager Spence Scott gets expelled from his private school for arguing with a teacher, he turns to his grandmother for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine, who tells him her own difficult story.

Escaped convicts are selling weapons to a warlike native tribe.

A look at the confluence of the Red Scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.

The estranged family of a reformed prostitute calls her back home to get her married to an affluent acquaintance out of greed.

A motel owner in Texas is accused of raping a civil-rights worker from Sweden.

A reporter and a New York City cop team up to find out who is trying to assassinate a UN leader. Film was a re-edit of two Kraft Suspense Theatre episodes.

Wandering around America, young Nick Adams encounters a washed-up punch-drunk boxer known as "The Battler".