Jay Rosenblatt

Just moments before his third wedding, Zahedi relates with utter sincerity and astonishing candor his obsession with prostitutes. He retraces his romantic and sexual history, including his ideological commitment to open relationships, that led to two disastrous marriages and several very pissed off ex-girlfriends.

On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.

Caveh is commissioned by Fandor to film awkward celebrity encounters at the 2017 Sundance Film Festival. This is a documentary about his time at the festival filming those encounters.

A mind-boggling "coincidence" leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago.

Independent Filmmaker Caveh Zahedi is trying to make a television show. He persuades BRIC TV, a Brooklyn non-profit Arts organization, to finance a television show whose premise is that every episode will be about the making of the previous episode. In the process of creating the show, everything can-and does-go wrong. The cast, a who's who of Brooklyn's independent filmmaking community, includes Alex Karpovsky, Eleonore Hendricks, Dustin Defa, and Onur Tukel.

For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and sometimes awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.

A father takes us through one year of trying to teach a preschooler how to make a film.

A film about fatherhood and the bond between a father and his infant daughter. The filmmaker documents the first eighteen months of the child’s life, showing the progression from newborn to infant to toddler.

Yerba Buena Center for the Arts commissions Caveh Zahedi to make a film.

King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.

This emotionally raw and intimate documentary, shot 25 years ago, follows a couple - the filmmakers – in their complicated journey towards bringing a new life into the world. In today's landscape of reproductive rights, this story takes on a new meaning and offers a rare view into this moment in their lives.