Amalia Pérez Díaz

Irreverent and experimental film, rich on Christian symbolism.

During a police round-up, Mercedes witnesses the unjust murder of her son, a working-class man, by a police captain. Refusing to accept the official version of the story - that her son was a criminal - she launches a campaign for justice. Santiago, a young journalist moved by Mercedes's passion and determination, begins to investigate the story of the police cover-up at the risk of his own life. As the investigation develops, the film exposes the depth of Venezuela's corruption.

Adonai is an lunatic poet. He lives in an abandoned neighborhood of Caracas where he runs an underground radio called "Radio Pandemonium", he lives with his mom, his grandmother and a young lady who she calls very endearly, 'whore'. They survive among the corrupt, the death and the rising upheaval of the oppressed.

Elisa is treated and poisoned by her envious cousin Irene. Elisa leaves the notice denouncing her murder hidden in a picture frame. Irene marries the widower. Barbara arrives in Caracas with her nanny and enters to serve in the house of Don Luis, who dies. Pablo, the son of the deceased, falls in love with Barbara and ends up, after multiple inconveniences and oppositions, marrying her.

Octavio Izaga, a prestigious lawyer, middle-aged, single and childless, descendant of a prosperous family from Zulia, is the target of anonymous threats accompanied by failed attempts to assassinate him.