Lello Giulivo

A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.

A Donatello award nominated short animated feature based on a 17th century Neapolitan song of the sea.

Life in Naples is tough, so Neapolitans invent ways to get by. Whatever works, conning mostly, tricking the IRS, the university, the landlord, cruise ship passengers, even conning victims three times with the same ruse.

In a family of true-blue Neapolitans—or rather, die-hard Neapolitan purists—something incredible happens: a baby girl is born who speaks Milanese and wants to eat nothing but risotto and panettone. Imagine the surprise and the lengths to which Assuntina’s family goes in an attempt to cure her. And things are bound to get worse when the young girl grows into an adult.

Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.

For personal and humanitarian reasons, Edoardo, a Ligurian sea captain, agrees to run a shipment of arms to Bosnian rebels for a shady Russian in Toulon who calls himself Riffaud. Edoardo's lover Clara wants him to quit the sea and Riffaud's wife warns Edoardo not to trust her husband, but Edoardo takes the job anyway. Sailing up the Adriatic, the crew threatens mutiny when they learn they must dock in a war zone. Once in port, little goes as Riffaud promised, and Edoardo must travel with a translator to the rebels' mountain stronghold to get payment for the crew. The war is all around them as Clara waits at home and the translator begs passage to Italy.

Pina was born in Portugal but now lives in poor circumstances in Naples. Pina has two daughters, Rosa, who has been wearing a wedding dress since she was left stranded at the altar several years ago, and Caterina, who murdered a man who wronged her as he left the church following his wedding. Caterina winds up in prison alongside Maddalena, a prostitute who witnessed the murder and was inspired to kill a man in her own life who had hurt her. The incidents from these women's lives are interspersed with another story, set in 1929 and filmed in black-and-white, about a man who shoots his wife in a movie theater and must run to avoid the police.

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