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69 movies sorted by popularity
Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.
Maria Vitória lives in a remote village in the Portuguese mountains and plays football on the local boys youth team. Determined to become a professional, she devotes all her free time to intense training with her father. Their routine is shaken by the unexpected return of her older brother, who left many years earlier after a tragic fire that took their mother’s life. As she prepares for the most important match of her life, Maria begins to question her father’s authority and gradually seeks a way to break free and take control of her own future.
A Portuguese soldier, who got stranded from his team during the La Lys battle, struggles by himself through dozens of German offensives so he can guarantee the safety of his companions.
George, an agoraphobic young woman, cannot go more than 522 steps away from her home. One day, a personal tragedy forces her to embark on a journey from Spain to her native Portugal. Along the way, George's whole world begins to widen…
The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.
A baby is kidnapped in a Brazilian airport. Years later, the mother lives in Lisbon and works in a strip-tease bar so she can survive. When she is fired, she joins a gang of bank robbers...
Follows the creation of a stage play adaptation of "Moby Dick".
Joaquim is released early from prison after sixteen years. Hiding it from his family, he takes on a dangerous job as a boatman ferrying illegal clam-pickers out into the river as a way to buy his daughter the piano he once promised her.
Ana lives in a little village by the sea, with her husband and daughter. He decides to leave for a few days. That seems to be the ideal solution, because Ana needs to finish a work she has been doing for a long time. But her concentration seems threatened when she starts doing her daily walks by the village and the beach: she saves a stranger from death in the sea, meets young Alexandre and Emilia, and her friend Vera turns up in her house. And then, everything changes…
Forget everything, or recover memory and remember. Let yourself fall and stop, or return to life and start again. Adrift, lost face-to-face, two women confront their fates. Is there not just one thing worth saving? Without hesitation, the desire to live, that rebellious fury that takes no heed of risks. And how do you save a world where poetry has disappeared?
A lorry, a road and an unpredictable destiny, all intersecting in a human trafficking network. Caught up in this web, Viktoriya has only one chance: fight to survive.
A group of soldiers are sentenced for the murders of key political figures in the night of October 19th, 1921, in the streets of Lisbon. But the names of the conspirators remain unknown. Berta Maia, a widow of the 1910 revolution hero Carlos da Maia, will fight for the truth…
In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.
A man died under mysterious circumstances. An insurance company expert has to visit the four women in his life - his mother, his widow, his daughter and his mistress - to find out the causes of death. With each account, the deceased will appear in a new light, to the point where it is doubtful that it is the same man.
An urban family inherits an old country house located in a small village. Upon their arrival they try to adapt to the new lifestyle, but they soon learn that the village is overshadowed by superstition and mysterious folklore. As they are plagued by strange events, they learn more about the history of their family, and slowly begin to believe by inheriting the house, they also inherited a curse.
Inspired on the true events of the Portuguese king Don Pedro (14th Century) which unburied his mistress to make her queen after dead. This film tells the story of Pedro, a man admitted to a psychiatric hospital for traveling by car with the corpse of his beloved, recalling simultaneously three different lives: one from the past, another from nowadays and another one from an distopic future.
On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal
A boy in Lisbon, in this Lisbon in permanent renovation.
A satire on anti-communist paranoia in the days of fascist dictatorship in Portugal. The series follows the adventures of the "Lusitanian superhero", the ultra-patriotic Captain Falcão, a man who follows the direct orders of António de Oliveira Salazar in the fight against the "red menace".
Ruy Duarte de Carvalho, poet and novelist, finds out that his father left papers in the Namib desert that would help him shed light on a mystery that occurred in 1923. Through his search, he embarks on an epic tale that goes from the turn of the 19th century to the end of the 20th, in the magnificent Angolan south.
Two amateur thieves are hired to steal an extremely valuable Van Gogh painting from the abandoned farm of an Argentinian countess.
The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.
João is a writer who one day wakes up suffering from a bout of selective amnesia: he can't remember that he's gay. So he decides to reject his partner of five years and he plunges into a new, unexpectedly hetero life. But, as the saying goes, it never rains but it pours: João also has a creative block, and is incapable of finishing his latest novel. Isabel, his rival in the literary world, is suffering from a similar case of writer's block. After a night spent together, Isabel steals João's novel and tries to publish it as her own.
This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
The economic crisis, a teddy bear with suicidal tendencies named Judy Garland, the Discovery Channel, a black panther and the Russian playwright Anton Tchekhov are all part of the heroic adventure of a little girl who has a problem to solve.
A dreamlike journey seen through the eyes of a trans-human as well as a kino-symphony of voices from the multiple personas of Fernando Pessoa, Lisbon Revisited shows alternative ways of looking at and hearing the city. Celebrating its greatest phantom and confronting his ambiguous and pervasive sexuality, the film is spoken in the three languages in which Pessoa wrote, Portuguese, English and French.
João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.
A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]
Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.
No description available.
“Manual of Evasion LX94” is a thought-provoking Dadaist film about time by the Portuguese director Edgar Pêra. It was shot in Lisbon in 1994 and stars Terence McKenna, Robert Anton Wilson and Rudy Rucker. Time is explored from many unusual angles, while Pêra fills the screen with a wide variety of bizarre and mind-warping imagery.
Maria, an executive from Oporto, lives in the search of the right man for her. On the other hand, her two friends, Joana, a doctor that has fallen in love to a co-worker, and Isilda, a hairdresser with an open hart and an adventurous spirit, seem to be happy with their lives. One day though, everything changes. Maria is forced to take care of her father, victim of a brain accident. During these days of turbulence, Maria thinks she has found the perfect man, a mysterious Star, an habitué of chat channels on the Internet. The three friends find out that cense of humour can be the key for a happy life. Internet, romance, a bachelor party; marriage, dates and some adventures are Loving Maria. A film where love shows himself with the most different looks. Love arrives when you don't expect it and goes away when you think it is safe. It can even appear in the light of a mobile computer.
Years after her son's disappearance, a mother keeps trying to find him after an abduction that justice cannot solve while she is moving in a universe that wants to force her to mourn a child that she believes is still alive.
Inspired by Bernardo Santareno's “The Lugger” and “In the Seas of the End of the World”, this is the story of a captain of a codfish lugger, fishing in the banks of the Newfoundland who decide to risk sailing to Greenland in search of more fish. Along the way, he has to face storms, crew revolt and deal with the best and the worst of humanity when tested in extreme circumstances.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.
Seven competing reporters are assigned to cover the Carnavael de Torres Vedras in Lisbon. Each of the seven tries to attract as much audience as possible to their broadcast. The situation escalates at a masked ball.
A writer immerses himself in his work La muerte del payaso and becomes a hostage of impossible dreams. Between crimes and hallucinations, between the gothic nature of night and the decadence of the sand, a hopeless story is told, based on the work of Raul Brandão.
A bunch of spectators trapped in a cinema theatre.
Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.
Dreaming of great adventures and of standing up for his homeland, a young Portuguese man enlists in the army during World War I and is sent to the front line in Mozambique, Africa. Left behind by his platoon, he sets out on a grueling trek across the mystic Makua native land, walking for over a thousand kilometers, in search of his dream.
Neglected by his parents, a portly teenager finds refuge with a gang of young thugs in Lisbon.
The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.
Zico has a thirst for elsewhere. He embarks on a cargo shop in Le Havre. Soon, tensions with the rest of the crew and repeated damages undermine his dreams of adventures.
This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.
The first time you hear it, it doesn't seem like a big deal. The word is strange and the tone in which it was used could be offensive. In the village the word soon spreads and as it passes from mouth to mouth it becomes heavier and takes on a markedly offensive character. As the village gets angrier, all the small misunderstandings in everyday life become serious business. There is only one solution: exposing the cases and their origin - the word barely heard and poorly said - which, today, in the village, is the most devastating offense that can be thrown at our greatest enemy.
An experimental and surreal film, a mix of weird and unusual "avant-gard" cinematography with some traditional icons of the Portuguese culture, like Fado or the typical neighbourhoods of Lisbon, in this case the "Bica" is a typical neighbourhood which is used as setting to the plot.
A couple sees the happiness and future threatened by a disease that can destroy body and soul. A disturbing story made of silences, glances, routines ...
A cup of coffee, a cigarette. A coin, another cup of coffee. Patients roam the halls. They walk alone. Waiting. Another smoke, a burning cigarette. Therapies that appeal to the senses. Routines that pull them back to reality. It's life repeating itself at psychiatric hospital spaces'. Lucidity and madness live together. From the outside world comes an actor in search of his character for a theatre play, diving into the inner world of schizophrenia. Patients are part of the creation of the character. Amidst the haze, the actor finds a poem by Ângelo de Lima, an alienated. The theatre character is born. Cinema documents it.
The story of Maria, a woman betrayed by his companion, David, when he steals a sack of money and flees, taking refuge in the island of Pico. Furious and determined to avenge herself, she proposes to an Police Inspector, Lucas, to chase and to find David. However, David, on a visit to the island of Faial, falls in love with a local, Marina. Maria and Lucas look for David in the Azores, they cross with Mariana in Faial and the three will discover David in his house of the mountain, at the top of the Peak. In a final confrontation, as in a Greek tragedy, Mary and David adjust the accounts that fate has traced to them.
A national coach working in Lisbon during World War II also acted as a spy for the Allies, leading a risky double life
Two friends, Nuno (Pedro Laginha) and Flash (Miguel Borges) live together and decide to rent one room of the house in order to have more money to pay the rent. that's when they meet Carla (Maria João Bastos) who might change their lives forever.
A man, Francisco, works in an open-pit mine. He goes to see his boss about taking the following day off. At first the boss doesn’t want to allow it as there is so much to do, but he finally concedes. The next day his daughter calls on him, a visit he no longer counted on. They spend the day with one another. The longer they are together, and the later the night gets, the more absurd the situations and moments they experience become.
The day begins with an exchange of favours. An interview, a football game, cigarettes after cigarettes. Routine fragments of those who live in an isolated space which labels and conditions life choices.
In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.
The odyssey of a man who became a hermit for ills of love and receives a pair of angel wings after defeating the demon.
After a sink full of soapy water empties through a gurgling drain, a finger appears from underneath: Zé, a plumber, is at work. Eva, the lady of the house, interrupts him wearing little but a smile. She coaxes him out and seduction begins, interrupted by the surprise arrival of her lover, Carlão, a gun-toting criminal. Zé hides under the sink, watching through the drain hole as Carlão gives Eva a valuable necklace and makes love to her. Carlão is called away abruptly on business only to have his enemy Zim arrive a minute later to claim the necklace. Zé's still under the sink observing as mayhem descends on the kitchen. Will it end with a bang or a whimper?
On its surface, a story about a jealous and insecure man, but it takes us to a reflection about loneliness and despair.
A father and a son. The father will be seventy years old, the son is in his twenties. The son drives the father to the hospital. Classical music in the radio. The father did not know that the son liked classical music, and the son did not know that that would be the last time he would speak to his father. But Mozart asks that souls rejoice, that men rejoice.
The unbearable heat on the factory places us on the hottest summer days. A man who has been forced to leave everything behind tries to go to his daughter's birthday but receives threats from the court. In itself grows a wave of impatience, despair, violence. The violence not only of feelings but of things, materials, iron and metal, which deteriorate with time and the suffocating heat. In this industrial hell men merges with machines, they are near collapse.
The emotional journey of Yulya, a fragile and precious young woman.
A reorganization within a crime syndicate.
A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?
A couple looks to mend their relationship and build a new home in the Azores.
The Idalecio family is close to imploding emotionally. During the weekly Sunday drive all falls apart. It starts with a claustrophobic car trip through town. Nagging children, football on the radio, a mother in law with a sharp tongue, a new pregnancy. It is a day of unhappiness, a day that will turn around their lives. An anti-Sunday.
Four people meet during a train trip up the Douro Valley.
